PDA

View Full Version : Future-Past Technology - Tesla



Fredkc
20th March 2010, 15:32
Ok, something old, something new.

I have all manner of odd things in my e-library. I will try and post some of them, as they come to me. Like...

Experiments with Alternate Currents of High Potential and High Frequency (http://fredsitelive.com/books/nonfiction/tesla.htm)
by Nikola Tesla
Published 1892

From his introduction:
I cannot find words to express how deeply I feel the honor of addressing some of the foremost thinkers of the present time, and so many able scientific men, engineers and electricians, of the country greatest in scientific achievements.

The results which I have the honor to present before such a gathering I cannot call my own. There are among you not a few who can lay better claim than myself on any feature of merit which this work may contain. I need not mention many names which are world-known—names of those among you who are recognized as the leaders in this enchanting science; but one, at least, I must mention—a name which could not be omitted in a demonstration of this kind. It is a name associated with the most beautiful invention ever made: it is Crookes!
Enjoy, and I hope someone finds it fascinating

Fred

Fredkc
20th March 2010, 16:00
Ok... here is something to whet the appetite.


The frequency of the vibration, and the quickness of succession of the sparks between the knobs, affect to a marked degree the appearance of the streams. When the frequency is very low, the air gives way in more or less the same manner, as by a steady difference of potential, and the streams consist of distinct threads, generally mingled with thin sparks, which probably correspond to the successive discharges occurring between the knobs. But when the frequency is extremely high, and the arc of the discharge produces a very loud but smooth sound—showing both that oscillation takes place and that the sparks succeed each other with great rapidity—then the luminous streams formed are perfectly uniform. To reach this result very small coils and jars of small capacity should be used. I take two tubes of thick Bohemian glass, about 5 centimetres in diameter and 20 centimetres long. In each of the tubes I slip a primary of very thick copper wire. On the top of each tube I wind a secondary of much thinner gutta-percha covered wire. The two secondaries I connect in series, the primaries preferably in multiple arc. The tubes are then placed in a large glass vessel, at a distance of 10 to 15 centimetres from each other, on insulating supports, and the vessel is filled with boiled out oil, the oil reaching about an inch above the tubes. The free ends of the secondary are lifted out of the oil and placed parallel to each other at a distance of about 10 centimetres. The ends which are scraped should be dipped in the oil. Two four-pint jars joined in series may be used to discharge through the primary. When the necessary adjustments in the length and distance of the wires above the oil and in the arc of discharge are made, a luminous sheet is produced between the wires which is perfectly smooth and textureless, like the ordinary discharge through a moderately exhausted tube.

I have purposely dwelt upon this apparently insignificant experiment. In trials of this kind the experimenter arrives at the startling conclusion that, to pass ordinary luminous discharges through gases, no particular degree of exhaustion is needed, but that the gas may be at ordinary or even greater pressure. To accomplish this, a very high frequency is essential; a high potential is likewise required, but this is a merely incidental necessity. These experiments teach us that, in endeavoring to discover novel methods of producing light by the agitation of atoms, or molecules, of a gas, we need not limit our research to the vacuum tube, but may look forward quite seriously to the possibility of obtaining the light effects without the use of any vessel whatever, with air at ordinary pressure.

So he has just explained how to design electric lights whose filament never wears out, AND operate in normal atmospheric pressures. This means Edison is out of a job, before he even starts.

Then he jumps to theorizing and explaining how this "technology" is already common in nature, and that this is how to tap into that.

Such discharges of very high frequency, which render luminous the air at ordinary pressures, we have probably often occasion to witness in Nature. I have no doubt that if, as many believe, the aurora borealis is produced by sudden cosmic disturbances, such as eruptions at the sun's surface, which set the electrostatic charge of the earth in an extremely rapid vibration, the red glow observed is not confined to the upper rarefied strata of the air, but the discharge traverses, by reason of its very high frequency, also the dense atmosphere in the form of a glow, such as we ordinarily produce in a slightly exhausted tube. If the frequency were very low, or even more so, if the charge were not at all vibrating, the dense air would break down as in a lightning discharge. Indications of such breaking down of the lower dense strata of the air have been repeatedly observed at the occurrence of this marvelous phenomenon; but if it does occur, it can only be attributed to the fundamental disturbances, which are few in number, for the vibration produced by them would be far too rapid to allow a disruptive break. It is the original and irregular impulses which affect the instruments; the superimposed vibrations probably pass unnoticed.
Then back to the "real world" and how to apply that for our use:

When an ordinary low frequency discharge is passed through moderately rarefied air, the air assumes a purplish hue. If by some means or other we increase the intensity of the molecular, or atomic, vibration, the gas changes to a white color. A similar change occurs at ordinary pressures with electric impulses of very high frequency. If the molecules of the air around a wire are moderately agitated, the brush formed is reddish or violet; if the vibration is rendered sufficiently intense, the streams become white. We may accomplish this in various ways. In the experiment before shown with the two wires across the room, I have endeavored to secure the result by pushing to a high value both the frequency and potential: in the experiment with the thin wires glued on the rubber plate I have concentrated the action upon a very small surface—in other words, I have worked with a great electric density.
By now, I imagine he has half the room totally lost, and the other half scared to death.

Tesla was about much more freedom than many could stand, I suspect.

Enjoy,

Fred

Curative
26th March 2010, 04:25
Thanks Fred.

Tesla is electrifying.

Downloaded for later perusal, keep 'em coming.