Tesla_WTC_Solution
7th February 2014, 21:28
I don't usually like linking Youtube videos, but in case some of you missed the History Channel "Ancient Aliens" TV show that covered the Malta Oracle Room, this clip is only 2:50. :) Enjoy!
P.s. beyond the echoes/ability to carry sound long distances and lift objects, the Oracle Room also caused changes in human brainwaves, i.e the frequency causes a hemispheric switch from left to right, iirc, accounting for much of what modern humans called "supernatural experiences".
GlNbBSIdCuE
http://en.wikipedia.org/wiki/Archaeoacoustics
Archaeoacoustics is the use of acoustical study as a methodological approach within archaeology. This may for example involve the study of the acoustics of archaeological sites, or the study of the acoustics of archaeological artefacts.
Since many cultures explored through archaeology were focused on the oral and therefore the aural, it is becoming increasingly recognised that studying the sonic nature of parts of archaeology can enhance our understanding. This is an interdisciplinary field which includes areas such as archaeology, ethnomusicology, acoustics and digital modelling, and that is a part of the wider field of music archaeology. There is particular interest in prehistoric music.
A book, Archaeoacoustics,[1] was the first[citation needed] book to study this field in depth. It focuses on the role of sound in human behaviour, from earliest times up to the development of mechanical detection and recording devices in the 19th century. Recent calls for an "archaeology of the senses" have served as a timely, even overdue reminder that the past which we experience - and which others have experienced before us - is multisensory, drawing not only upon the primary field of vision, but also on touch, smell and hearing.
Megalithic tombs, Palaeolithic painted caves, Romanesque churches and prehistoric rock shelters all present specific sound qualities which offer clues as to how they may have been designed and used.[citation needed] Voices resonate, external noises are subdued or eliminated, and a special aural dimension is accessed which complements the evidence of our other senses.
This book, arising from a conference held at the McDonald Institute in 2003, brings together archaeologists and specialists in early musical instruments and acoustics in an attempt to unlock some of the meaning latent in the acoustics of such early structures and spaces. It has been described as "essential reading for all who are concerned to seek a broader understanding of human sensory experience from prehistory up to historical times."[2]
P.s. beyond the echoes/ability to carry sound long distances and lift objects, the Oracle Room also caused changes in human brainwaves, i.e the frequency causes a hemispheric switch from left to right, iirc, accounting for much of what modern humans called "supernatural experiences".
GlNbBSIdCuE
http://en.wikipedia.org/wiki/Archaeoacoustics
Archaeoacoustics is the use of acoustical study as a methodological approach within archaeology. This may for example involve the study of the acoustics of archaeological sites, or the study of the acoustics of archaeological artefacts.
Since many cultures explored through archaeology were focused on the oral and therefore the aural, it is becoming increasingly recognised that studying the sonic nature of parts of archaeology can enhance our understanding. This is an interdisciplinary field which includes areas such as archaeology, ethnomusicology, acoustics and digital modelling, and that is a part of the wider field of music archaeology. There is particular interest in prehistoric music.
A book, Archaeoacoustics,[1] was the first[citation needed] book to study this field in depth. It focuses on the role of sound in human behaviour, from earliest times up to the development of mechanical detection and recording devices in the 19th century. Recent calls for an "archaeology of the senses" have served as a timely, even overdue reminder that the past which we experience - and which others have experienced before us - is multisensory, drawing not only upon the primary field of vision, but also on touch, smell and hearing.
Megalithic tombs, Palaeolithic painted caves, Romanesque churches and prehistoric rock shelters all present specific sound qualities which offer clues as to how they may have been designed and used.[citation needed] Voices resonate, external noises are subdued or eliminated, and a special aural dimension is accessed which complements the evidence of our other senses.
This book, arising from a conference held at the McDonald Institute in 2003, brings together archaeologists and specialists in early musical instruments and acoustics in an attempt to unlock some of the meaning latent in the acoustics of such early structures and spaces. It has been described as "essential reading for all who are concerned to seek a broader understanding of human sensory experience from prehistory up to historical times."[2]