While going over the information presented in the link that Vella gave at the end of the 3rd video, a thought surfaced - of Human's referred to - in certain circles as, Empty Container's and wonder if Morgellons was part of that process, by extracting Life-force?
Something else came to mind, although probably far fetched and out in left field,
in regards to the meteorite fragments or black rocks referenced, that contain amounts of Black Goo that the Nazi's and Hitler were interested in.
For some reason, Francois-Berenger Sauniere and Rennes-le-chateau came to mind.
Why did Sauniere, accompanied by his housekeeper Marie, wander the surrounding countryside - loading sacks with stones "that he had selected with care?" Were the stones, Meteorite fragments or black rocks?
The Grail Quest and The Destiny of Man
Part V-f: Rennes-le-chateau and the Accursed Treasure
http://web.archive.org/web/200806290...s/grail_5f.htm
In 1855, at the age of 33, Francois-Berenger Sauniere was appointed cure of the tiny church of Sainte-Madeleine.
Sauniere learned that one of his predecessors had left a small legacy for the upkeep of the church, and in 1892 he decided to restore the church altar. This was made from a solid stone slab, one end of which was cemented into the wall of the church, while the other was supported on an ancient carved stone column that had survived from the time of the Visigoths. When the slab was lifted, the column was found to be hollow; inside were three wooden tubes, sealed with wax, which held four parchment manuscripts.
At first glance they seem to be nothing more than transcriptions of well-known New Testament passages, written in Latin in a strange archaic-looking script. The first, (John 12:1-12) describes Christ's visit to Bethany - the house of Lazarus, Martha and marry Magdalene. The second is the story of the disciples plucking ears of corn on the sabbath; but it has been put together from three different versions, those of Matthew (12:1-8), Mark (2:23-28, and Luke (6:1-5).
At the beginning of 1893 Sauniere took the manuscripts to his bishop, Monseigneur Felix-Arsene Billard, in Carcassonne, and was given permission (and money) to go at once to Paris.
For just three weeks Sauniere remained in Paris. He spent much of his time in the Louvre, where he bought reproductions of three apparently unrelated paintings: Nicholas Poussin's "Arcadian Shepherds," David Teniers's portrayal of Saint Anthony, and a portrait of Pope St. Celestine V by an unknown hand.
On his return to Rennes, Sauniere continued his restoration work on the church. With the assistance of some young men from the village - one of whom was still alive in 1962 and provided invaluable details of the cure's activities -
he raised another stone slab, which lay directly in front of the altar. The underside of the slab was found to be carved in an archaic style identified as dating from the sixth or seventh century.
There are two scenes on the slab, which take place either in an arched building or in a crypt. That on the left represents, as far as it is possible to tell, a mounted knight sounding a hunting horn while his horse lowers its head to drink at a fountain. That on the right is of another knight with a staff in one hand and either a child upon his saddle-bow or a disc or sphere of some sort. The stone is worn and chipped in places, and it is difficult to identify the subjects clearly, but there is no doubt as to the great age of the work.
After the slab had been removed, Sauniere ordered the youths to dig down for several feet, but when they announced that they had discovered something in their excavations he sent them home and locked himself in the church. It is said that they had discovered two skeletons and a pot full of bright objects, which Sauniere told them were worthless medallions.
After this discovery, work ceased in the church for some time.
Instead, Sauniere, accompanied by his housekeeper Marie, took to wandering the surrounding countryside, a sack on his back. Each evening he returned, the sack loaded with stones that he had selected with care, and when he was asked the purpose of his excursions, he replied that he had decided to beautify the tiny garden in front of the church with a stone grotto. Certainly the grotto is still there, although sadly reduced; it has been ransacked, either by souvenir hunters or by those who hoped that
the stones might reveal Sauniere's secret.
But this was not his only strange pastime. The cemetery of the church contained two memorial stones marking the grave of Marie de Negri d'Ables (died 1781), the wife of Francis d'Hautpoul, the seigneur of Rennes. By night, Sauniere moved these stones from one end of the cemetery to the other, and patiently erased the inscriptions. Unknown to him, however, his labours were in vain, for the inscriptions had already been copied by itinerant archaeologists - and one of the stones, we now know, bore the same monogrammatic device as appeared in at least one of the manuscripts.
For the next two years, Berenger Sauniere spent much of his time traveling.
Then, from 1896, Sauniere undertook a major refurbishment of the church, the results of which can be seen to this day. The overall effect is extraordinary. Fitting diagonally into the junction of nave and transept he laid a checker-board floor of 64 alternate black and white square tiles; beside the entrance door he raised a huge garishly coloured monument, the stoup borne upon the head of a wildly staring life size figure of the demon Asmodeus, while above rise small statues of four winged angels, with the motto Par ce signe tu le vaincras - 'In this sign shalt thou conquer' - a quotation from the vision that brought about Emperor Constantine's conversion to Christianity in AD 313.
The walls of the church are covered with painted relief scenes in popular style - a rather unconventional series of the Stations of the Cross, and, above the confessional, a representation of Christ on the Mount. Sauniere himself painted the picture of Mary Magdalene for the front of the altar. Strangest of all, carved above the porch of the church are the words of Jacob at Bethel, spoken the morning after he had seen the vision of the angels ascending and descending a ladder that led to Heaven: Terribilis est locus iste, 'This is a fearful place.'
When Sauniere died in 1917, it is calculated that he had spent well over one million francs - and these were francs d'or, worth about 20 times a present-day franc.
[
At the time this was written, the franc to dollar conversion fluctuates around 7ff=1dollar, so that amounts to something close to three million dollars in today's values.]
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