Music by Huckleberry

[Huckleberry]

It's good to be here on the Project Avalon Forum. I am a singer/songwriter and guitar player. I produced an album about living in harmony with nature entitled "Magic Meadow Music". My avatar is the cover of my album.

You can hear my original music free of charge on my Reverb Nation page that has all nine songs from my album blended in with nature sounds that I recorded in the Pacific Northwest with binaural recording. I also have some of the other songs that I wrote there.

https://www.reverbnation.com/sonicbloomband9

Edit on June 10: I could only upload individual songs on ReverbNation. In my original album the songs were connected with nature sounds in a continuous time stream. I just finished re-editing the "Magic Meadow Music" album and uploaded it to Brighteon and Rumble:

RUMBLE:
https://rumble.com/c/c-6444206

BRIGHTEON:
https://www.brighteon.com/d5f9c62b-4b3d-4622-91ac-bef8fa49a307

[Harmony]

I can hear the love for our natural world in your words and music. :Music::rose: It takes me back to times when life seemed simpler and fresh and innocent (even if it may not have been on another level) Thanks so much for sharing:heart:




It's good to be here on the Project Avalon Forum. I am a singer/songwriter and guitar player. I produced an album about living in harmony with nature entitled "Magic Meadow Music". My avatar is the cover of my album.

You can hear my original music free of charge on my Reverb Nation page that has all nine songs from my album blended in with nature sounds that I recorded in the Pacific Northwest with binaural recording. I also have some of the other songs that I wrote there.

https://www.reverbnation.com/sonicbloomband9

[Huckleberry]

Yes, I grew up in a rural setting by a creek and a river. When I was a kid there was no one my age in the area so I spent many hours going on nature hikes with my dog. When I was a teenager I was listening to birds one morning in the spring. Suddenly, I heard a melody in my head from listening to the beautiful music of all those birds singing together all at once. I later found the lyrics to go along with the melody and I named the song "Green Spring Melody".

After recording that song with the help of members from the Portland Symphony and really talented musicians, I recorded the intro and natural background to that song at the edge of a pond at the Turnbull Wildlife Refuge where there were many kinds of birds singing together all at once. I don't know where this came from but I can listen to the sounds of nature and translate the experience into music. It just comes to me.

The music for the "Magic Meadow Music" song came to me when I walked out from the forest into a meadow of millions of crickets all singing their happy song in the Tillamook Mountains. There were so many fat black crickets that I had to watch every step I took so as not to step on them. The air was electric with their singing and I felt much lighter like I was walking six inches off the ground.

"Water Song" came to me while I was listening to a mountain stream. I thought about how a single drop of rain in the mountains can gather so much force with other drops of rain as it flows down to the sea. And the sounds that it makes along the way are magical to me.

Nature's music feeds my soul.

[Harmony]

Your description of how your music came about and your attunement with nature is a wonderful thing. I also grew up with nature all around, the land and the sea, and "felt" it deeply and still do. I have no music talents, but my heart knows the songs. The enrichment in our lives, our earth companions, is the most wonderful thing, music is a wonderful way to share that. :heart:

[Huckleberry]

I'd like to give due credit to two very gifted musicians who helped me produce my "Magic Meadow Music" album--Brian Willis and Roger Wilhite. They were both quite young at the time and they spent a great deal of time with me initially to work out all the songs. They refused to take any money from me for their work as they both understood the importance of living in harmony with nature and just wanted to contribute to a worthwhile project.

Brian Willis was only 17 years old then when he played the drums, lead guitar, steel guitar, bass guitar and assisted as a sound engineer in the studio. I especially like the hot lead guitar parts on "Take Me For A Ride" and "It's Not Too Late". His steel guitar parts were very creative as he blended the steel guitar parts with the nine-piece string section on "The Wind" and piano on "Water Song". Then he played the country steel guitar style on "Natural Man".

At the age of 17 Brian played in a country band and would have to leave the bar on the band's break because he was not of age. He also taught drums and guitar at 17. He later became a sound engineer and joined a band that produced a song that was in a movie (but I forget which movie was). He later moved to Nashville and became Brad Paisley's sound engineer at the Castle Recording Studio, which has recorded a long list of top artists that are familiar names in the industry and can be seen on their website: .
https://www.castlerecordingstudios.com/ And, yes, it really is a castle.

Also at a young age, Roger Wilhite was the pianist for the traveling Hee Haw group, which was a popular tv show. He later married Nancy Wilhite and they have worked in public school settings, churches, and performances in Reno, Lake Tahoe, Las Vegas and Europe. They are both retired school teachers with a master’s degrees in music. Here is an example of one of their performances:

http://www.youtube.com/watch?v=2ItHx2TeIJw

The musicians from the Portland Symphony for the nine-piece string section, four french horns, flutes and recorders played on three of the songs for only $735 (well below union scale) as long as I promised never to let the union know that they didn't charge union scale wages. That was in 1976.

After I spent two years recording the nature sounds in Oregon, Washington and Idaho, we mixed in the nature sounds with the music in the same studio in Portland. Four years later I finished the album by adding a small choir, oboe, fiddler, a female vocalist and did the final mixing at Eastern Washington University which only cost me $25 per hour studio time.

I then released the album on cassette and 8-track tapes in 1980, which reveals about how old I am now. As the technology increased I transferred it to digital audio tape, then CD and finally digital audio.

In 2015 one of the members of my Sonic Bloom Band painted the album cover to my exact specifications for a small fee. All my expenses to produce this album came to about $15,000 from 1976 to 2015. If I would have tried to produce this album today, I would never have been able to afford it from wages playing in bars and lounges. So it was quite a journey for me to produce "Magic Meadow Music" over those four decades.

[Huckleberry]

Originally, "Magic Meadow Music" was a series of songs connected with nature sounds in between songs and not as separate songs. In this way it all flowed together without gaps between the songs. Unfortunately, I can only add separate songs on Reverb Nation so it does not flow together and there are long gaps between songs.

I am therefore working on duplicating the original album with the nature sounds flowing together with no gaps between songs. I'll then post it on video platforms so anyone can play the original album free of charge.

I originally paid to have the entire album on CD Baby but CD Baby apparently sold out to Amazon, Spotify and Apple without the consent of the artists. So now my album is for sale on Amazon for $8.91. I was never given notice of this and the money (if any) goes somewhere else, not to me. As soon as I get "Magic Meadow Music" on video platforms I will give the links to the video platforms here.

[HopSan]

It's good to be here on the Project Avalon Forum. I am a singer/songwriter and guitar player. I produced an album about living in harmony with nature entitled "Magic Meadow Music". My avatar is the cover of my album.

You can hear my original music free of charge on my Reverb Nation page that has all nine songs from my album blended in with nature sounds that I recorded in the Pacific Northwest with binaural recording. I also have some of the other songs that I wrote there.

https://www.reverbnation.com/sonicbloomband9

Thanks a flowery bunch!

Especially #3, "The Wind" hit heavily, in a good way.

And of course, the final bravura is worth many a listening:
"Not of this world", like many of Avalon members.

[Huckleberry]

It's good to be here on the Project Avalon Forum. I am a singer/songwriter and guitar player. I produced an album about living in harmony with nature entitled "Magic Meadow Music". My avatar is the cover of my album.

You can hear my original music free of charge on my Reverb Nation page that has all nine songs from my album blended in with nature sounds that I recorded in the Pacific Northwest with binaural recording. I also have some of the other songs that I wrote there.

https://www.reverbnation.com/sonicbloomband9

Thanks a flowery bunch!

Especially #3, "The Wind" hit heavily, in a good way.

And of course, the final bravura is worth many a listening:
"Not of this world", like many of Avalon members.

Thanks for listening, HopSan. These two songs are two of my favorites as well. IMO, the sounds of the wind through the pines is one of nature's top ten sounds as well as the sound of water. The lyrics to "The Wind" came through to me during meditation.

"Not Of This World" is the only ballad I've written that tells a story. I am looking forward to producing this song as soon as I have more time and money to pay the musicians. Each verse will be different and instruments will include cedar flute, cello, violins, percussion, piano, synthesizer, electric guitar, 12-string guitar, bassoon and bass.

[Huckleberry]

Here is an anecdote of when I was recording the 9-piece string section of my Magic Meadow Album that I and everyone involved found humorous. I wrote the music for violin, viola, cello and bass and contracted for nine members of the Portland Symphony to record on three of my songs (as long as I didn't tell their union that they were playing for considerably less than union wages).

While they were performing the string section was having trouble tracking the rhythm with just their headphones, so they asked me to lead the string section. Since I had no clue as to how to do that, the leader of the string section had to show me how to do that with my hands (since I had no baton). It was awkward for me but I kinda got the hang of it after a little practice. I was also a bit nervous doing it. I had never been to a live orchestra performance so this was all new to me.

Then in the middle of recording of "The Wind" the sound engineer stopped the recording and said they had a problem. I was living in the woods at that time so I was wearing my boots. Being a performing musician I always tap my foot when I play. The engineer said that sound of my boots tapping the recording studio floor was so loud it was interfering with the recording so I was asked to take off my boots.

After we finished the final take they played the string section recording on the studio speakers. It really blew me away because up until then I had only heard it in my head when I wrote the parts.

When I was a child before falling asleep at night I would compose orchestra music in my head and actually hear it as I composed it. In the 1950s I had never even heard an orchestra before as I lived in the country and we lived a long distance from a city. So hearing the string section live with my ears from awesome studio speakers was quite an experience for me.

[HopSan]

It's good to be here on the Project Avalon Forum. I am a singer/songwriter and guitar player. I produced an album about living in harmony with nature entitled "Magic Meadow Music". My avatar is the cover of my album.

You can hear my original music free of charge on my Reverb Nation page that has all nine songs from my album blended in with nature sounds that I recorded in the Pacific Northwest with binaural recording. I also have some of the other songs that I wrote there.

https://www.reverbnation.com/sonicbloomband9

Thanks a flowery bunch!

Especially #3, "The Wind" hit heavily, in a good way.

And of course, the final bravura is worth many a listening:
"Not of this world", like many of Avalon members.

Thanks for listening, HopSan. These two songs are two of my favorites as well. IMO, the sounds of the wind through the pines is one of nature's top ten sounds as well as the sound of water. The lyrics to "The Wind" came through to me during meditation.

"Not Of This World" is the only ballad I've written that tells a story. I am looking forward to producing this song as soon as I have more time and money to pay the musicians. Each verse will be different and instruments will include cedar flute, cello, violins, percussion, piano, synthesizer, electric guitar, 12-string guitar, bassoon and bass.

I feel obliged to tell that your work hits many synchronistic bells in my life.
I won't explain more, but you might be interested to know that (as many artists)
you are delivering messages (for others).

I pray your music gets wider audience, in this world of ugly machine-music.

[And BTW, since you mentioned conducting: In about 1988 I was in a library (a student, studying, walking), and suddenly I had a full symphony orchestra in my head. I enjoyed enormously, played all kinds of grand sounds with it. But it only lasted about one minute. I have no musical education at all.]

[Huckleberry]

Originally, "Magic Meadow Music" was a series of songs connected with nature sounds in between songs and not as separate songs. In this way it all flowed together without gaps between the songs. Unfortunately, I can only add separate songs on Reverb Nation so it does not flow together and there are long gaps between songs.

I am therefore working on duplicating the original album with the nature sounds flowing together with no gaps between songs. I'll then post it on video platforms so anyone can play the original album free of charge.

I originally paid to have the entire album on CD Baby but CD Baby apparently sold out to Amazon, Spotify and Apple without the consent of the artists. So now my album is for sale on Amazon for $8.91. I was never given notice of this and the money (if any) goes somewhere else, not to me. As soon as I get "Magic Meadow Music" on video platforms I will give the links to the video platforms here.

I finally was able to re-edit and upload the whole album to Brighteon and Rumble. The music and nature sounds flow in a continuous sound stream as I originally published. I changed the order of the songs and shortened the nature sounds from the original album. (To get the full effect and subtleties of the nature sounds it is best to listen to them with headphones.)


https://rumble.com/v50l9gc-magic-meadow-music-album-by-huckleberry.html

Also, on Mike Adam's Brighteon video platform:

https://www.brighteon.com/d5f9c62b-4b3d-4622-91ac-bef8fa49a307

[Denise/Dizi]

I am so happy to see you posting your music here "huckleberry".. wink... It's just beautiful... and it deserves to be heard... and enjoyed... I am going to have to go see what I have missed!

[Huckleberry]

When I first recorded my "Magic Meadow Music" album in 1976 I had the idea to blend in nature sounds with the music. However, at that time I knew of no other recording artist who did that and the pre-recorded nature sounds that were readily available were not very applicable to my music and they were on 33 1/3 records. One of the very few nature records I found was a recording of bull frogs and alligators at the Okefenokee Swamp, which was anything but soothing. So I decided to record the nature sounds for my album myself.

I ended up buying a high-quality Nakamichi portable cassette recorder to take into the field and binaural microphones. Binaural recording really interested me because it records sound like the human ears hear it. However, to get the full effect of binaural recording it is best to listen with headphones.

There are two ways that binaural recording is done. One, the small microphones fit into the ears so the the head and ears capture sound as we humans hear it. In order to do that I had to breathe slowly and quietly and stand perfectly still. However, that becomes more challenging when you're out in the woods in the spring and summer recording continuous and subtle nature sounds such as high mountain birds, etc. The problem is, to state it in one word--mosquitos!

After having made many blood donations while recording nature sounds with microphones in my ears, I found a solution to the problem. They made a plastic human head for binaural recording with the same capacitance as a human head. So I put it on a pedestal and hooked it up to two fifty foot microphone cables and sat in my van away from the mosquitos. For a natural rain recording I fastened a lamp shade frame covered with speaker foam to the plastic head. It looked rather strange but it also kept the wind from hitting the sensitive microphones.

53256

Before I bought the plastic binaural recording head I tried recording elk in the Tillamook Mountains in Oregon. I slept on the open ground in a sleeping bag. In the middle of the night several elk ran around me and one of them actually jumped over me and coming within inches of my head. A rutting elk may try to kick you or chase you off if they feel threatened. Since that pretty much scared the crap out of me I knew I had to find a better way to record elk during rutting season.

So I bought the binaural recording head and headed to the Jewell Elk Refuge (https://www.onlyinyourstate.com/oregon/jewell-meadows-wildlife-area-or/) in northwest Oregon. On one occasion there during the night, an elk began bugling so I pressed the record button. Soon afterwards a coyote began howling as if it were imitating this elk. Perhaps it was. Then another coyote joined in with more elk following. Soon the whole pack of coyotes were howling like elk along with several elk. Amazing!

Although the coyote/elk recording was very unique it didn't really fit into my album so I chose a single elk bugling. You can hear an elk bugling on the song "Natural Man" at about 7:17 in the song blended in with the "wee-oohs".
https://www.brighteon.com/d5f9c62b-4b3d-4622-91ac-bef8fa49a307

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[HopSan]

When I first recorded my "Magic Meadow Music" album in 1976 I had the idea to blend in nature sounds with the music. However, at that time I knew of no other recording artist who did that and the pre-recorded nature sounds that were readily available were not very applicable to my music and they were on 33 1/3 records. One of the very few nature records I found was a recording of bull frogs and alligators at the Okefenokee Swamp, which was anything but soothing. So I decided to record the nature sounds for my album myself.

I ended up buying a high-quality Nakamichi portable cassette recorder to take into the field and binaural microphones. Binaural recording really interested me because it records sound like the human ears hear it. However, to get the full effect of binaural recording it is best to listen with headphones.

There are two ways that binaural recording is done. One, the small microphones fit into the ears so the the head and ears capture sound as we humans hear it. In order to do that I had to breathe slowly and quietly and stand perfectly still. However, that becomes more challenging when you're out in the woods in the spring and summer recording continuous and subtle nature sounds such as high mountain birds, etc. The problem is, to state it in one word--mosquitos!

After having made many blood donations while recording nature sounds with microphones in my ears, I found a solution to the problem. They made a plastic human head for binaural recording with the same capacitance as a human head. So I put it on a pedestal and hooked it up to two fifty foot microphone cables and sat in my van away from the mosquitos. For a natural rain recording I fastened a lamp shade frame covered with speaker foam to the plastic head. It looked rather strange but it also kept the wind from hitting the sensitive microphones.

53256

Before I bought the plastic binaural recording head I tried recording elk in the Tillamook Mountains in Oregon. I slept on the open ground in a sleeping bag. In the middle of the night several elk ran around me and one of them actually jumped over me and coming within inches of my head. A rutting elk may try to kick you or chase you off if they feel threatened. Since that pretty much scared the crap out of me I knew I had to find a better way to record elk during rutting season.

So I bought the binaural recording head and headed to the Jewell Elk Refuge (https://www.onlyinyourstate.com/oregon/jewell-meadows-wildlife-area-or/) in northwest Oregon. On one occasion there during the night, an elk began bugling so I pressed the record button. Soon afterwards a coyote began howling as if it were imitating this elk. Perhaps it was. Then another coyote joined in with more elk following. Soon the whole pack of coyotes were howling like elk along with several elk. Amazing!

Although the coyote/elk recording was very unique it didn't really fit into my album so I chose a single elk bugling. You can hear an elk bugling on the song "Natural Man" at about 7:17 in the song blended in with the "wee-oohs".
https://www.brighteon.com/d5f9c62b-4b3d-4622-91ac-bef8fa49a307

53255

Thanks Huckleberry, I had no idea that you were so enthusiastic and careful about the quality of recording.
I assumed you added the sound of nature just because it is -- beautiful.

I have had the same passion in recording my choirs, but with much lesser equipment.

Now I understand why I was so drawn into your music -- you really care.

[Huckleberry]

When I first recorded my "Magic Meadow Music" album in 1976 I had the idea to blend in nature sounds with the music. However, at that time I knew of no other recording artist who did that and the pre-recorded nature sounds that were readily available were not very applicable to my music and they were on 33 1/3 records. One of the very few nature records I found was a recording of bull frogs and alligators at the Okefenokee Swamp, which was anything but soothing. So I decided to record the nature sounds for my album myself.

I ended up buying a high-quality Nakamichi portable cassette recorder to take into the field and binaural microphones. Binaural recording really interested me because it records sound like the human ears hear it. However, to get the full effect of binaural recording it is best to listen with headphones.

There are two ways that binaural recording is done. One, the small microphones fit into the ears so the the head and ears capture sound as we humans hear it. In order to do that I had to breathe slowly and quietly and stand perfectly still. However, that becomes more challenging when you're out in the woods in the spring and summer recording continuous and subtle nature sounds such as high mountain birds, etc. The problem is, to state it in one word--mosquitos!

After having made many blood donations while recording nature sounds with microphones in my ears, I found a solution to the problem. They made a plastic human head for binaural recording with the same capacitance as a human head. So I put it on a pedestal and hooked it up to two fifty foot microphone cables and sat in my van away from the mosquitos. For a natural rain recording I fastened a lamp shade frame covered with speaker foam to the plastic head. It looked rather strange but it also kept the wind from hitting the sensitive microphones.

53256

Before I bought the plastic binaural recording head I tried recording elk in the Tillamook Mountains in Oregon. I slept on the open ground in a sleeping bag. In the middle of the night several elk ran around me and one of them actually jumped over me and coming within inches of my head. A rutting elk may try to kick you or chase you off if they feel threatened. Since that pretty much scared the crap out of me I knew I had to find a better way to record elk during rutting season.

So I bought the binaural recording head and headed to the Jewell Elk Refuge (https://www.onlyinyourstate.com/oregon/jewell-meadows-wildlife-area-or/) in northwest Oregon. On one occasion there during the night, an elk began bugling so I pressed the record button. Soon afterwards a coyote began howling as if it were imitating this elk. Perhaps it was. Then another coyote joined in with more elk following. Soon the whole pack of coyotes were howling like elk along with several elk. Amazing!

Although the coyote/elk recording was very unique it didn't really fit into my album so I chose a single elk bugling. You can hear an elk bugling on the song "Natural Man" at about 7:17 in the song blended in with the "wee-oohs".
https://www.brighteon.com/d5f9c62b-4b3d-4622-91ac-bef8fa49a307

53255

Thanks Huckleberry, I had no idea that you were so enthusiastic and careful about the quality of recording.
I assumed you added the sound of nature just because it is -- beautiful.

I have had the same passion in recording my choirs, but with much lesser equipment.

Now I understand why I was so drawn into your music -- you really care.

I am interested in hearing more about your activities as a choir director (if that is the correct word).

[Huckleberry]

The are only two sound effects recordings that I did not record myself. At the end of "Take Me For A Ride" there are two harmonizing sustained guitar parts that are meant to sound like an air raid siren. That sound leads into the sound of a real atom bomb going off, which I can assure you that I did not record. The song "It's Not Too Late" then begins with a gong during the atom bomb. When I first heard the recorded atom bomb in the amazing studio speakers it stood the hair on the back of my neck up. The way it crackled and deeply growled sounded evil. I hope it does not trigger anyone listening to my album :shocked:.

The other sound I did not record was the sound of two old coal-fired steam locomotives passing by each other. So it's fun hearing this with headphones in stereo as the each locomotive sort of goes through your head in opposite directions. It appears at the beginning of "The Train" which hearkens back to the steam locomotives of the wild west era.

[HopSan]

Thanks Huckleberry, I had no idea that you were so enthusiastic and careful about the quality of recording.
I assumed you added the sound of nature just because it is -- beautiful.

I have had the same passion in recording my choirs, but with much lesser equipment.

Now I understand why I was so drawn into your music -- you really care.

I am interested in hearing more about your activities as a choir director (if that is the correct word).

Sorry, I'm just a humble singer who tries to help the choir sound better.
But I can say that three directors of highest quality have appreciated my efforts.
(As I of them being happy!)

If you are curious, I can send links to some live recordings,
but unfortunately all private messages in Avalon seem to be public.
Maybe a mail address?

[Huckleberry]

Thanks Huckleberry, I had no idea that you were so enthusiastic and careful about the quality of recording.
I assumed you added the sound of nature just because it is -- beautiful.

I have had the same passion in recording my choirs, but with much lesser equipment.

Now I understand why I was so drawn into your music -- you really care.

I am interested in hearing more about your activities as a choir director (if that is the correct word).

Sorry, I'm just a humble singer who tries to help the choir sound better.
But I can say that three directors of highest quality have appreciated my efforts.
(And me of them being happy!)

Singing is great! I love it! Imagine a biological musical instrument. We all have it built in to our bodies. When we sing we vibrate our bodies and being with frequencies that can give us a natural high, presumably contributing to our physical, mental and spiritual health if it consists of positive harmonies and uplifting lyrics (as opposed to most rap). At the same time we can engage in deep breathing which has its own physical, mental and spiritual health qualities.
:Music: YES! :Music:

[HopSan]

Sorry, I'm just a humble singer who tries to help the choir sound better.
But I can say that three directors of highest quality have appreciated my efforts.
(As I of them being happy!)

If you are curious, I can send links to some live recordings,
but unfortunately all private messages in Avalon seem to be public.
Maybe a mail address?

Not to be difficult, but this is not in my rights to share more than privately.
Fine people trust in me, and I have to trust to any listener as much.

[Huckleberry]

"Is It 1984?" is a rock song I wrote and produced in 2007 in response to a bill introduced to Congress to censor people in violation of the First Article in the Bill of Rights. It was US House Bill 1955. It did not pass but now we are all experiencing the effect of the continued effort by the government and social media platforms to censor us. The original production of this song is just as applicable today as it was in 2007 and before.

I have just put together a video of "Is It 1984?" on Rumble:

https://rumble.com/v51sagv-is-it-1984-by-huckleberry.html

I will be adding more videos of my songs on Rumble so you can always go to Rumble and type "HuckleberryMusic" in the search bar.

I have updated my live performances of the song by adding a new verse and modifying the lyrics to reflect the increased intensity of censorship. I plan to produce the song at some time in the future with the updated lyrics. Here are the updated lyrics:

Is It 1984?

When Congress passed the "Patriot Act" it took away our Rights.
It's time to stand and just say "NO", we will not comply.
The Congress and the Deep State are closing freedom's door.
Is it my imagination or is it 1984? (Please tell me)
Is it my imagination or is it 1984?

They took away our privacy, Habeas Corpus, too.
Now torture has been legalized and colored red, white and blue.
The talking heads on TV thumping drums of war;
Is it my imagination or is it 1984? (Please tell me)
Is it my imagination or is it 1984?

It used to be that we could speak our minds without a care.
Big Brother and the Thought Police now say we must beware.
The social media platforms now censor even more,
Is it my imagination or is it 1984? (Please tell me)
Is it my imagination or is it 1984?

Their house of cards is falling as the truth is spread around.
There's a New World Odor in the air, Big Brother's going down.
Their lies can't stand the light of day, their Newspeak exposed.
Is it my imagination or is it 1984? (Please tell me)
Is it my imagination or is it 1984? (Won't you tell me?)
Is it my imagination or is it 1984?

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v4zg1ka

This video is now also available on Brighteon for those who wish to support Mike Adams and Natural News: https://www.brighteon.com/3b1ebce7-5322-42ae-95de-0a66eacedb19

[Huckleberry]

Here is a song and an instrumental that I composed and produced for the Essiac Circle of Friends (essiac-tea.org (https://essiac-tea.org/)):
"Ode to Rene Caisse" and "Essiac Serenade".

Essiac tea is a foundational herbal tea that covers more health issues than any other single tea. That may sound like a pretty dramatic statement but I have been drinking Essiac tea for the past 22 years and I believe that it saved my life.

Essiac is most known for preventing and treating cancer and was created by Canadian nurse Rene M. Caisse who received a native American herbal formula for cancer in the early 1920s. She took the 8-herb formula and reduced to it to a 4-herb formula using scientific/clinical methods by testing it on laboratory mice and terminal cancer patients in her Bracebridge, Ontario cancer clinic.

The song and instrumental feature both cedar and silver flutes, cello, violin, bassoon, oboe, bells, chimes and 12-string guitar.


https://rumble.com/v52i7bn-ode-to-rene-caisse-and-essiac-serenade.html

Watch all my videos on Rumble: https://rumble.com/c/c-6444206

[Huckleberry]

"NOT OF THIS WORLD" tells the story of a mysterious old man that people shun and make fun of because he is not like everyone else. A young boy befriends the old man and discovers who is really is and why he is so different from everyone else.


https://rumble.com/v52i64o-not-of-this-world-by-huckleberry.html


https://www.brighteon.com/dashboard/videos/cfe76cb4-9174-4b5e-a57e-5b163a435f01

[Huckleberry]

THE DOVE: A song for peace.


https://rumble.com/v533loc-the-dove.html

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