View Full Version : Sound - The Lost Secret of the Ancient Monument Builders
heyokah
22nd March 2010, 15:09
“Archaeoacoustics”
According to Wiki, Archaeoacoustics is (WAS):
"…the discipline that explores acoustic phenomena encoded in ancient artefacts. For instance, theoretically a pot or vase could be "read" like a gramophone record or phonograph cylinder for messages from the past."
Okay everyone, before I lose your attention completely, let me say that this idea was essentially proved to be false. It is theoretically possible for objects (like clay pots) to record ambient noise present when they were constructed, however it seems making specific intentional recordings like voices isn’t. Anyhow the practical problems faced when trying to record and recover the “message” are far too great.
Interestingly the Wiki definition of this branch of archaeology hasn’t been updated with the newest version of the term, so it is reasonable to assume it’s a fairly new field and definitely worthy of presentation to my fellow members!! I think it’s fitting for ATS to be kept abreast of such topics, so I will try.
Today the term is used to describe the possible intentional use of acoustics in an archaeological context, especially when referring to how the Ancients incorporated sound into the design and construction of prehistoric buildings and monuments.
http://web.archive.org/web/20100325103555/http://www.niburu.nl/index.php?articleID=22906
Holly Lindin
22nd March 2010, 15:17
This is pretty amazing, Heyokah. I personally believe in this - if a clay pot, as per using your example, has its own energy and soul vibration, then there MUST be a sound of some sort "trapped" within it. It's perhaps only that we don't have (publicly or in secret societies.) the technology in order to record this. But I'm sure if one went into a deep meditative state and asked to hear the sound the clay pot was harbouring, then perhaps some incredible sounds would be heard!
This also reminds me of singing bowls. :)
<3
heyokah
22nd March 2010, 15:55
This you mean :)
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Charging water with the sound of a singing bowl
Holly Lindin
22nd March 2010, 18:11
Oh, Heyokah, that was a beautiful video. I didn't realize water would react that way when in contact with the singing bowl, but I guess so, considering energy and all that. :) Awesome video!!!
<3
Holly Lindin
22nd March 2010, 18:17
Hearing a singing bowl actually makes me feel like that's actually what the Universe sounds like.
<3
heyokah
22nd March 2010, 18:47
Water does even have a memory, and can be energized...
Notice howlong it takes to charge it the first time... But after stopping it and starting over, how much faster it picks up the previous vibration...
This means the water has got some kind of memory (it holds the influence of vibration) ..
Also notice, that once this point is reached, the increase of energy goes much faster after this first charge.
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Holly Lindin
22nd March 2010, 18:52
Wow! It's like it's boiling from the heat of the energy! This is totally amazing.
<3
morguana
28th June 2010, 07:20
wow, going to have to give this ago, i have never thought of charging up water in a singing bowl!
bluestflame
28th June 2010, 07:28
once the initial resistance is overcome and the obstacles to the reception of the unfamiliar are navigated , upon reintroduction that which is now familiar more easily embraced , sounds like one of them universal principles that can be applied in many places
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I have a singing bowl and when i get it humming i place the stick in the centre with the bowl still humming and place the other end of the stick against my ear , can feel and hear the vibration
observer
4th July 2010, 14:42
Dear heyokah,
I have finally found the time to review the link to the Niburu article titled: "Sound - The Lost Secret of the Ancient Monument Builders" that you posted at the beginning of this thread. This article validated what I've been saying regarding "What Was the Real Purpose of the Great Pyramid of Giza?” (See the article at: Thread: "What Was the Real Purpose of the Great Pyramid of Giza?”http://projectavalon.net/forum4/showthread.php?3590-quot-What-Was-the-Real-Purpose-of-the-Great-Pyramid-of-Giza-")
The only thing that divides us, now, is our philosophical difference regarding the "intention" of the ancient "gods" that created the Human species....
Decibellistics
5th July 2010, 20:41
Absolutely.
Every object has some form of resonant frequency. This is why a crystal glass shatters when a certain frequency at a certain amplitude is played. Or using a resonance chamber to cause some form of movement based on interaction with a waveform.
Recording may be a different situation. The materials would have to have some form of magnetic property within it I'd speculate.
We also have to consider this. Human hearing has a range of 20Hz-20kHz (realistically it's probably more like 30Hz to 15 or 16kHz) Therefore there are frequencies of sounds that absolutely have an effect on us as humans. We may not hear them but I can bet a wager of 14 dollars that we can feel them. Any takers? har har har
For instance Hitler before he would go on stage would have his speakers set up and I believe they played a 10Hz tone beforehand. The physical effect on the people was that they felt like crap after feeling this tone being played for extended periods. When it would stop people would snap out of it and feel good again. Classic mind control. Heil right?
You can interlace two inaudible frequencies and send an audible signal over these two inaudible frequencies. This allows for a highly directional inaudible wave to be shot out into the ethers and eventually hit someone or something that will receive and interpret the signal as audible.
My audio teacher explained to me that there is an actual way to record audio onto paint. It probably is some special type of paint but it is recordable regardless.
If you can record audio to paint.....I'm pretty sure the above stated is possible too. I could go on but it would never end the magic involved with these frequencies we perceive as sound.
Decibellistics
5th July 2010, 20:55
If they were able to do these things as well, then I would have to ask if they had the ability to harness electricity as well. I'm not positive on the physics of how to record strictly acoustically and magnetically since we are in the digital age but I have been told it is possible. In order to record an actual voice or something of the such other than ambience then they would have to have the ability to etch the waveform into the piece of magnetic rock or clay or what have you.
Conversion of an acoustic signal, into an electric signal, into the recording device, back to electrical, and again back to acoustical.
Also there would be issues with super low and super high frequencies......that's why the ballads are always on the last part of the record......the ability to get the low frequencies adequately in those last grooves is impossible and will fudge up the recording.
Decibellistics
5th July 2010, 20:59
Maybe also recording things wasn't the purpose of the monuments, maybe there are aspects of frequencies embedded within them.
For example, Chichen Itza (spelling) The Mayan ruin with the observatory, the ball field, and the pyramid. I had the privelidge to visit this place when I was 9 years old. You stand about 50 yards out with a group from the pyramid, clap your hands, and the echo from your clap causes the sound of a bird to call back to you.
If you were to play certain frequencies into these chambers of Resonance, then maybe an activation occurs within the monument and or a vibrational frequency occurs which is used for whatever purpose the monument was built for.
Decibellistics
5th July 2010, 21:04
It'd be pretty boss to record an album at the Kings chamber in Giza :)
Solphilos
5th July 2010, 21:23
wow, going to have to give this ago, i have never thought of charging up water in a singing bowl!
On that same note might I recommend charging water with specially tuned tuning forks. I use a 528 hz fork on water with great effect. I'm also very interested in the effects a singing bowl would have, as the water is physically vibrating from the ringing of the bowl. Beautiful.
Decibellistics
6th July 2010, 20:23
You can find the axial room nodes of rooms by measuring the Length, width, and height. Take the 1130 or the speed sound travels at in a uniform medium and divide it by each of the dimensions in the room.
You have found the fundamental frequency.
Adding the fundamental frequency of each dimension to itself will then be the Harmonic ex. Height: 113+113 equals 226 so on so forth. Every time the numbers in the dimensions match up harmonically you will have a frequency bulge.
If sound was an essential part during ceremonies etc. in these monuments, and the people that built these things obviously knew mathematics............hmmmmmm lol.
I'm sure phasing came in to play too and the directionality of the sound sources.
morguana
6th July 2010, 21:28
On that same note might I recommend charging water with specially tuned tuning forks. I use a 528 hz fork on water with great effect. I'm also very interested in the effects a singing bowl would have, as the water is physically vibrating from the ringing of the bowl. Beautiful.
my daughter and i tried it......the effect it had on the water was amazing, it rippled inwards as one would expect, then bubbled from the centre and droplets of water around the edges sizzled up and over the top of the bowl.....awsome, tasted lovely too
sound frequencys can be used for a myried of things, some frequencies can lift whilst other can cause sickness........i believe very much that sound frequencies played a big part of the building of monuments of past times as well as knocking some down.
Loren
8th July 2010, 00:43
This is some great reading as well as the hidden symbolism in Edwards machine "Did a Latvian immigrant rediscover the secrets to the building of the pyramids... of levitation... of anti-gravity? His amazing "castle" may hold clues to long-lost powers.
Coral Castle in Homestead, Florida, is one of the most amazing structures ever built. In terms of accomplishment, it's been compared to Stonehenge, ancient Greek temples, and even the great pyramids of Egypt. It is amazing - some even say miraculous - because it was quarried, fashioned, transported, and constructed by one man: Edward Leedskalnin, a 5-ft. tall, 100-lb. Latvian immigrant." Loren
norman
8th July 2010, 01:26
back to wishfull work-arounds for lack of understanding, again...... me thinks....
not saying the millionth monkey won't get it right though.... who really knows....
I'm certainly impressed by that Japanese bloke's water micrographs.
I'm a tad sceptical for a reason. Here's why. If you're best friend lived with you in a world where electricity was not invented/discovered, and she/he rushed in with a a brand new idea that the sparks on her/his hands were wonderful err... "energy"... etc..... would it not be a good idea to check out how much voltage + current it would take to totally fry your best friend.
On the same basis I'm very sceptical about people's adventures with crystal energies. If I could be convinced that they really KNEW! what thet were doing, I'd be much more receptive to the obvious enthusiasm of it.
And numerology!...... has any of these "experts" in numerology EVER! established what number base they are working with when they elaborate SO! coulorfully their illuminations of mind?
Yea..... I'm a tad sceptical........ convince me....
Decibellistics
9th July 2010, 03:16
I've been confused norman. Where did you pull numerology from?
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