View Full Version : Stone guides-stone tape theory
mahalall
26th January 2013, 06:52
Stones our quiet teachers?
Recently found myself receiving a re-affirmation of a complex teaching from a stone structure that is housed in a museum in London (1). It resulted in a profound change in my behaviour and a humorous series of events.
The question arose, can stones act as types of mp3 players?
The Stone Tape theory is a paranormal hypothesis that was proposed in the 1970s as a possible explanation for ghosts. It speculates that inanimate materials can absorb some form of energy from living beings; the hypothesis speculates that this "recording" happens especially during moments of high tension, such as murder, or during intense moments of someone's life (2)
Energy storage and retrieval from stones? Known for eons? and failing to connect the adapter?
An interesting example
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(1) http://www.vam.ac.uk/content/articles/g/gupta-style-of-the-buddha-and-its-influence-on-asia/
(2) http://en.wikipedia.org/wiki/Stone_Tape
Cidersomerset
26th January 2013, 09:56
Thanks Mahalall that was a interresting insight into the possible origins of the Stone of destiny.
It reminded me of what David Ickes says that our present Royal family is descended from
ancient Babylon/Sumaria, in which case I wonder if the stones origins go back that far as well ?
guyrandom
26th January 2013, 18:02
I always believed that crystals carry vibrations. I do believe that ancient summering creations still exist that can carry information, even if just symbols or sigils. I'd like to know which object had an effect on you. I love summerian objects and cultural artefacts but unfortunetely it seems that more are in the museum back-rooms and private collections than in public museum space.
Ellisa
26th January 2013, 20:36
This is interesting, though not really new information, though this author has added some flourishes.
I did not watch all of the video, so I apologise if this was mentioned, but I have a recollection that the stone (then called not the stone of destiny, but the stone of Scone- a much less glamorous title) was stolen by some Scottish Nationalists in the 1950s, as they felt the new Queen could not be truly crowned without the 'stolen' scottish stone in place. I may have the timing wrong but I believe the stone went missing around the time of the coronation, which would mean it was not there when she was crowned. It was returned much later, and since the Queen now looks set for the next 60 years, the ruse to de-throne her didn't actually work very well, though the recent devolution of Scotland could be seen as a start!.
The stone certainly is back in the Throne, which looks like a very uncomfortable wooden chair with a wooden seat over a large square hunk of rock, and is nothing like a Hollywood throne. It all used to be in Westminster Abbey. Maybe it still is!
mahalall
27th January 2013, 05:43
A vibrational tone impregnated in the object so that when you synchronise with the stone it reveals it's message.
In this case,
http://collections.vam.ac.uk/item/O25016/buddha-shakyamuni-sculpture-unknown/
Early 12th century (made) Carved black basalt buddha statue
The gesture of the lowered hand position (‘bhumisparsa-mudra’) is significant. It confirms that Shakyamuni is calling the earth to witness his resistance of the temptations of the demonic goddess Mara and the forces of worldly attachments. The combination of the ‘diamond throne’ and the mudra confirm that this image is intended to depict the historical Buddha at Bodhgaya, immediately prior to his Enlightenment.
Half and hour latter i found myself sitting on the window sill of Barclays Bank in knightbridge. This happens to be next door to the department store Harrods. And being New Years Day the wealthy of London were rolling up in their ferraris, lamborghinis and bentleys all collecting their pre-purchased sale items. The odd thing is i was completely indifferent. But stranger still was the fact that the window sill of the barclays bank has two inch metal spikes covering it. It is designed so that people don't sit on it. So their i was sitting on the these spikes smiling at all who walked past. People were fascinated that i could endure what would appeared to be such painful situation. It was when two young boys attempted to replicate the posture in whincing pain i smiled and said, "it is only a sensation and all sensations have the inherent nature of impermanence"
A book Archaeoacoustics, edited by archaeologists Professor Chris Scarre of Durham University, and Dr. Graeme Lawson of the MacDonald Institute in Cambridge, was the first book to study this field in depth. It focuses on the role of sound in human behaviour, from earliest times up to the development of mechanical detection and recording devices in the 19th century. Recent calls for an `archaeology of the senses' have served as a timely, even overdue reminder that the past which we experience - and which others have experienced before us - is multisensory, drawing not only upon the primary field of vision, but also on touch, smell and hearing. Megalithic tombs, Palaeolithic painted caves, Romanesque churches and prehistoric rock shelters all present specific sound qualities which offer clues as to how they may have been designed and used. Voices resonate, external noises are subdued or eliminated, and a special aural dimension is accessed which complements the evidence of our other senses. This book, arising from a conference held at the McDonald Institute in 2003, brings together archaeologists and specialists in early musical instruments and acoustics in an attempt to unlock some of the meaning latent in the acoustics of such early structures and spaces. It has been described as 'essential reading for all who are concerned to seek a broader understanding of human sensory experience from prehistory up to historical times (1)
An early interpretation of the idea of archaeoacoustics was that it explored acoustic phenomena encoded in ancient artifacts. For instance, the idea that a pot or vase could be "read" like a gramophone record or phonograph cylinder for messages from the past, sounds encoded into the turning clay as the pot was thrown. (1)
4.31sec
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Crystals are considered a direct link to ‘residual hauntings,’ as they are known to hold various forms of information. Because the use of crystals for such storage use is accepted by the scientific community, it should be noted that such hauntings may be a result of information that has been stored, and then being played by a triggering agent. The triggering component remains a mystery at this point, yet many researchers believe that such a triggering agent could be based on a strong psychic response. (2) The trigger could be a past connection, an association that opens the medium. In this case i had been visiting the statue regularly for the last twenty years and have been to the region of India it was made. It should be noted that the structure was made from basalt which is known to acquire strong magnetic signatures (3)
(1) http://en.wikipedia.org/wiki/Archaeoacoustics
(2) http://psiresearcher.wordpress.com/2012/03/19/the-stone-tape-theory-echoes-in-time/
(3) http://en.wikipedia.org/wiki/Basalt
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