M-Albion-3D
27th May 2016, 21:49
Dear Fellow Avalonian's and Guests,
The images and research in this thread, I have developed over a three year period from when this evidence was first discovered in early 2012. Since that time, I have spent countless hours in looking deeply into the image data files - ESP_014418_1790 and its stereo - file ESP_019864_1790.
I have since concluded, beyond any reasonable doubt, both scientific and spiritual, that the evidence in these high resolution images files, initially transmitted back to Earth by the Mars Reconnaissance Orbiter (MRO) on August 23, 2009 at 2.15 local Mars time, contain an overhead perspective image of a composite design, commonly referred to as a “geoglyph” or an artificial surface creation, carved or formed into a deep cliff side for the sole purpose of interplanetary communication between an intelligent life located there, and the people of Earth.
Is is important I believe, that the evidence shown here be seen as a message to us. The evidence is meant to be seen as a “totality of design”. A composition of surface facts each representing aspects of a total picture of life here on Earth and as such, the evidence needs to be read in its totality and not just by stand alone elements.
I am quite certain, that once the evidence is seen and measured in its total composition, the message embedded in this vast designed geoglyph, spanning over 3.6km in length will be undeniable.
The message in my opinion is beautiful as it tells of a time line in Earth's ancient human history. Most importantly, it shows life on OUR planet inasmuch, as the makers of the design must also be aware of Life on Earth.
Thank you.
M-Albion-3D
=======================================================
Hopefully, you'll have had the chance to have read part one of this two part thread. I wanted to try to convey to the reader, the experience of “revelation” as it unfolded, step by step literally, as I sat transfixed to my computer screen some three years ago. It was for me at that time, a powerful and deeply moving experience.
The main reason for this, was this particular image (ESP_014418_1790) had one very important characteristic that many other, supposedly hi rez images, did not have; - “excellent resolution!”
Without going into the technical aspect of the why's and wherefore's in which these images are processed, this huge overhead photograph, roughly 10 by 5 miles of the Martian “sub-surface” could be magnified down to such a degree, that rocks the size of a basketball could be seen in near perfect detail. And, as the saying goes; “the devil is in the details”!
Embedded on this super steep cliff side almost five miles down, was an immense geoglyph of fantastic proportions, it had all the appearances of being “chiseled” into the cliff, not in a hap-hazard way, but as I was soon to find out, in a refined way with absolute artistic precision.
At this point, I want to take a moment to explain something very critical, as it pertains to understanding the technique of the people responsible for this and many other renditions on the Martian surface. Understanding this principle is key to grasping the intrinsic “perspective viewpoint” they seem to employ.
The Designers of these works of art, seem obviously aware that humanity will eventually develop a technology that will allow us to arrive on Mars. They are/were also aware that this evolutionary process would transpire over many stages. Firstly, we would have unmanned craft that would just orbit the planet and send back fuzzy pictures, and eventually over time, culminate in manned missions and so on.
So, they devised recognizable surface designs that would be seen both from afar, and designs that would be examined at a later date in high resolution “close up” as technology progressed.
The designs had to “capture” just enough visual component(s) to do the job. For example, the famous face on Cydonia only needed “so much” detail which would be “interpreted” using a basic, albeit gigantic “facial form” together with the subtle cleverness of “light and shadow” in order to be spotted in low resolution from many miles up. The results of which, are now unmistakable – the face on Mars is recognizable by most humans across the globe.
Further, this principle has now been proven. As better imaging technology has allowed higher quality resolution, close inspection of the Cydonia mesa shows very little facial detail. But the point is, that it didn't need to!
http://i1282.photobucket.com/albums/a528/marsevidence01/Cydonia%20face_zpsw0wvwdbg.jpg
The creators of these designs have a keen awareness of “depth of field” and how it can be manipulated and thus perceived using light and dark shadows and, most importantly – at what altitude the creation would be viewed at.
Another piece of informative data which this conveys to us, is that the creators must therefore possess, the capability to ascend off the surface and into space! Or put another way, they are not just “indigenous surface dwellers” worshiping their gods above.
I believe once this discovery at the base of Hebes Chasma is brought to light, its intrinsic message will resonate throughout humanity and hopefully, at the very least, contribute to this long awaited disclosure process which sadly, has been so fiercely guarded by a few in power and their dominance to continue the enslavement of mankind via perpetual wars, while they and their families continue generational greed and control over our planet's wealth and resources.
As I mentioned earlier, this discovery for me was one of a gradual analysis of the immediate area centered around the initial find. This was a case of hide in plain sight and only until I realized the enormity of what I was looking at, did I begin to see the totality of this massive component design.
I can remember the smile that crept over my face when the shape and form of the next character began to unveil. Initially though, its elegance did not have quite the same impact as the donkey but; as I started to visualize its form and proportions, Schopenhauer's famous “All Truth Passes” began to reverberate as if I took on the roll of; Judge, Jury and Executioner within the space of moments.
Self evident was his stance, self evident was the warriors Corinthian helmet, self evident was his dress tunic and of course his spear and round Hoplon shield thrusting out in gallant advance.
And then once again, as if on a roll, something else caught my eye.
2D Warrior:
http://i1282.photobucket.com/albums/a528/marsevidence01/AA_zps9wbkyjhs.jpg
Anaglyph Warrior:
http://i1282.photobucket.com/albums/a528/marsevidence01/AA3D_zpsqqwkninc.jpg
Defined Warrior:
http://i1282.photobucket.com/albums/a528/marsevidence01/Trojen%20Warrior%20standing_zpspuh43zgu.png
The ancient warriors of Greece and the surrounding region sported very personalized signature designs painted on their shields. This varied depending on location and position.
When I zoomed in directly to the warriors shield which extended out at arms reach, there appeared a faint but noticeable image of a contrived “Helmeted MAN” in the correct perspective to the curvature of his shield embedded into a rock depression! His facial features pronounced and dark, but a man form nonetheless.
http://i1282.photobucket.com/albums/a528/marsevidence01/DD%20man%20close_zpsqwdaphhb.jpg
As noted earlier, the designers of these creations are clever, very clever. This is important to grasp. They have an acute sense of what we would term “impressionism”. I can't overstate this enough. After several years now of visual research of the surface, this facet of alien design has come to my attention a hundred if not a thousand times.
What I find the most impressive, is their capability to impregnate (I'm open for better verb/adjectives here) “into” the design a “relative distance factor” dependent on how far or how close the viewer is to the target data point. If you get too close, the effect disappears, too far, and again, the effect disappears. And to add to it, not everyone can replicate the same effect.
Case in point, with four friends in the same room and looking at the same 50” monitor, three could see the effect and, no matter how hard the fourth tried, the effect did not materialize. So the brain reception and interpretation plays a significant roll. In some respect, this could be the cause of why genuinely astute scientists throw this phenomenon to the garbage dump as pareidolia, while other more nefarious individuals use the fallacy to cover up genuine research.
Here is good example of this highly creative effect.
Take a look at the facial area of the warrior, one can immediately see the interpretation of his hair. Now look close (or “far” as this is dependent) one can begin to make out an impression of a face looking left, proportionate to the correct size and placement of where his face would be. However, if you zoom in here to close field, the facial signature disappears. Remarkable.
It's also important to remind oneself of scale here also. Those very small whitish "blips" on his face are actually rocks of around one meter plus in length! So, could they have been arranged perfectly for this facial illusion? I think quite possible..
http://i1282.photobucket.com/albums/a528/marsevidence01/ring%20face_zpsoevkpn1p.jpg
The images and research in this thread, I have developed over a three year period from when this evidence was first discovered in early 2012. Since that time, I have spent countless hours in looking deeply into the image data files - ESP_014418_1790 and its stereo - file ESP_019864_1790.
I have since concluded, beyond any reasonable doubt, both scientific and spiritual, that the evidence in these high resolution images files, initially transmitted back to Earth by the Mars Reconnaissance Orbiter (MRO) on August 23, 2009 at 2.15 local Mars time, contain an overhead perspective image of a composite design, commonly referred to as a “geoglyph” or an artificial surface creation, carved or formed into a deep cliff side for the sole purpose of interplanetary communication between an intelligent life located there, and the people of Earth.
Is is important I believe, that the evidence shown here be seen as a message to us. The evidence is meant to be seen as a “totality of design”. A composition of surface facts each representing aspects of a total picture of life here on Earth and as such, the evidence needs to be read in its totality and not just by stand alone elements.
I am quite certain, that once the evidence is seen and measured in its total composition, the message embedded in this vast designed geoglyph, spanning over 3.6km in length will be undeniable.
The message in my opinion is beautiful as it tells of a time line in Earth's ancient human history. Most importantly, it shows life on OUR planet inasmuch, as the makers of the design must also be aware of Life on Earth.
Thank you.
M-Albion-3D
=======================================================
Hopefully, you'll have had the chance to have read part one of this two part thread. I wanted to try to convey to the reader, the experience of “revelation” as it unfolded, step by step literally, as I sat transfixed to my computer screen some three years ago. It was for me at that time, a powerful and deeply moving experience.
The main reason for this, was this particular image (ESP_014418_1790) had one very important characteristic that many other, supposedly hi rez images, did not have; - “excellent resolution!”
Without going into the technical aspect of the why's and wherefore's in which these images are processed, this huge overhead photograph, roughly 10 by 5 miles of the Martian “sub-surface” could be magnified down to such a degree, that rocks the size of a basketball could be seen in near perfect detail. And, as the saying goes; “the devil is in the details”!
Embedded on this super steep cliff side almost five miles down, was an immense geoglyph of fantastic proportions, it had all the appearances of being “chiseled” into the cliff, not in a hap-hazard way, but as I was soon to find out, in a refined way with absolute artistic precision.
At this point, I want to take a moment to explain something very critical, as it pertains to understanding the technique of the people responsible for this and many other renditions on the Martian surface. Understanding this principle is key to grasping the intrinsic “perspective viewpoint” they seem to employ.
The Designers of these works of art, seem obviously aware that humanity will eventually develop a technology that will allow us to arrive on Mars. They are/were also aware that this evolutionary process would transpire over many stages. Firstly, we would have unmanned craft that would just orbit the planet and send back fuzzy pictures, and eventually over time, culminate in manned missions and so on.
So, they devised recognizable surface designs that would be seen both from afar, and designs that would be examined at a later date in high resolution “close up” as technology progressed.
The designs had to “capture” just enough visual component(s) to do the job. For example, the famous face on Cydonia only needed “so much” detail which would be “interpreted” using a basic, albeit gigantic “facial form” together with the subtle cleverness of “light and shadow” in order to be spotted in low resolution from many miles up. The results of which, are now unmistakable – the face on Mars is recognizable by most humans across the globe.
Further, this principle has now been proven. As better imaging technology has allowed higher quality resolution, close inspection of the Cydonia mesa shows very little facial detail. But the point is, that it didn't need to!
http://i1282.photobucket.com/albums/a528/marsevidence01/Cydonia%20face_zpsw0wvwdbg.jpg
The creators of these designs have a keen awareness of “depth of field” and how it can be manipulated and thus perceived using light and dark shadows and, most importantly – at what altitude the creation would be viewed at.
Another piece of informative data which this conveys to us, is that the creators must therefore possess, the capability to ascend off the surface and into space! Or put another way, they are not just “indigenous surface dwellers” worshiping their gods above.
I believe once this discovery at the base of Hebes Chasma is brought to light, its intrinsic message will resonate throughout humanity and hopefully, at the very least, contribute to this long awaited disclosure process which sadly, has been so fiercely guarded by a few in power and their dominance to continue the enslavement of mankind via perpetual wars, while they and their families continue generational greed and control over our planet's wealth and resources.
As I mentioned earlier, this discovery for me was one of a gradual analysis of the immediate area centered around the initial find. This was a case of hide in plain sight and only until I realized the enormity of what I was looking at, did I begin to see the totality of this massive component design.
I can remember the smile that crept over my face when the shape and form of the next character began to unveil. Initially though, its elegance did not have quite the same impact as the donkey but; as I started to visualize its form and proportions, Schopenhauer's famous “All Truth Passes” began to reverberate as if I took on the roll of; Judge, Jury and Executioner within the space of moments.
Self evident was his stance, self evident was the warriors Corinthian helmet, self evident was his dress tunic and of course his spear and round Hoplon shield thrusting out in gallant advance.
And then once again, as if on a roll, something else caught my eye.
2D Warrior:
http://i1282.photobucket.com/albums/a528/marsevidence01/AA_zps9wbkyjhs.jpg
Anaglyph Warrior:
http://i1282.photobucket.com/albums/a528/marsevidence01/AA3D_zpsqqwkninc.jpg
Defined Warrior:
http://i1282.photobucket.com/albums/a528/marsevidence01/Trojen%20Warrior%20standing_zpspuh43zgu.png
The ancient warriors of Greece and the surrounding region sported very personalized signature designs painted on their shields. This varied depending on location and position.
When I zoomed in directly to the warriors shield which extended out at arms reach, there appeared a faint but noticeable image of a contrived “Helmeted MAN” in the correct perspective to the curvature of his shield embedded into a rock depression! His facial features pronounced and dark, but a man form nonetheless.
http://i1282.photobucket.com/albums/a528/marsevidence01/DD%20man%20close_zpsqwdaphhb.jpg
As noted earlier, the designers of these creations are clever, very clever. This is important to grasp. They have an acute sense of what we would term “impressionism”. I can't overstate this enough. After several years now of visual research of the surface, this facet of alien design has come to my attention a hundred if not a thousand times.
What I find the most impressive, is their capability to impregnate (I'm open for better verb/adjectives here) “into” the design a “relative distance factor” dependent on how far or how close the viewer is to the target data point. If you get too close, the effect disappears, too far, and again, the effect disappears. And to add to it, not everyone can replicate the same effect.
Case in point, with four friends in the same room and looking at the same 50” monitor, three could see the effect and, no matter how hard the fourth tried, the effect did not materialize. So the brain reception and interpretation plays a significant roll. In some respect, this could be the cause of why genuinely astute scientists throw this phenomenon to the garbage dump as pareidolia, while other more nefarious individuals use the fallacy to cover up genuine research.
Here is good example of this highly creative effect.
Take a look at the facial area of the warrior, one can immediately see the interpretation of his hair. Now look close (or “far” as this is dependent) one can begin to make out an impression of a face looking left, proportionate to the correct size and placement of where his face would be. However, if you zoom in here to close field, the facial signature disappears. Remarkable.
It's also important to remind oneself of scale here also. Those very small whitish "blips" on his face are actually rocks of around one meter plus in length! So, could they have been arranged perfectly for this facial illusion? I think quite possible..
http://i1282.photobucket.com/albums/a528/marsevidence01/ring%20face_zpsoevkpn1p.jpg