boutreality
18th January 2017, 17:18
Weaponized Interdimensional Space-Time
by Joshua David Bloecker
Most of my threads are on this same topic, as I seek to elucidate the nature of the war we are in, and in order to eliminate the need to read my other threads to access this information, here is a brief, hopefully clarifying overview:
Consciousness is a large part of the fabric of space-time and a portion of that fabric is twisted and contorted, fashioned in specific ways to have detrimental effects on consciously aware sentience, effects sourced in large attack and control structures existing in another dimension. For purposes of this work, “Interdimensional” may be taken to mean a system of weapons where features of the array are “bi-located”, to exist in an entangled superposition, where the effect-delivering apparatus is anchored within the field of the physical target (person); and in other cases the attack/control results from directed fields and objects sent from another dimension to interface with sentient beings and have deleterious effect.
The overall enabling nature of this system is a void that cuts through and underlies physical reality. This “other dimension” houses aforementioned “attack and control structures”, several of these are physically accessed from specific locations in the physical reality of our planet.
Please note that I am sympathetic and compassionate to the nature of what is written here and seek not to provoke or incite argument, if what is contained below offends in some way your sensibilities, calling into question fixtures of your own experience considered sacred and valuable, it cannot be helped and I invite you to simply move-on from this and all my threads without giving them further consideration.
Attack/Control systems like the first two below seek to redirect, divert and contain ability attained through disciplined bodily and meditative techniques like yoga/chi gung etc. Less reputable ideations of Taoist tradition explain “the central column” as a vital feature of the overall being of man, this conceptual frame unnecessarily apportions a region of the body’s naturally occurring energetic underlay into a segment denoted as “separate” because of the overall effect of this weapons array.
Chakras System
A large spherical array of stacked thin metal plates, each large plate has large holes in it and each is slightly separate from the one beneath it, taken together they form an exposed “internal scaffold” of a ball housing smaller open spheres within the overall structure with a large open sphere at the construct’s center.
Entangled to the large open central sphere is the moon (in this solar system) that is shaped like a slightly deflated hexagram-patch soccer ball, when entangled to the central position of this “scaffold” it is surrounded by a plasma field, this field carries resonant effects originating within one or many objects housed within this moon, delivered to set the metal plates of the “scaffold” vibrating. This resonance is the “physical ground” of chakra’s vibratory function, the light of chakras is projected from within a spherical object inside the “soccer ball moon”.
Inside rooms, possibly in the moon structure itself, are arrays of square posts and each post has several hooks protruding from it, from the hooks hang what appear to be “candle holders” they are of the same thin metal as the “spherical scaffold”. The top platform of each holder is approximately 8 inches wide -it is slightly separated from a sheet of the same material below it, approximately six inches wide that is atop yet another platform four inches wide- these holders have attached to them a half-sphere rod which connects them to the hook protrusion of the central column. On these platforms live the creatures/entities known to inhabit chakras, where the surfaces of the “candle holder” are entangled to portions of the resonant plates of the large ball-shaped “internal scaffold” itself.
-Above aspects of this system comprise a physical “feedback-loop”, where sentient experiences that incorporate a certain depth of emotional and sensory input rooted in glandular secretions are triggered, encouraged and recorded by the resonant plates of the “ball scaffold”; chakra literature credits chakras with governing the energy “given” to glands of the endocrine system and organs in the body. Glandular secretions do augment the depth of emotional and sensory experience, as examples you may want to look up the role glandular function plays in the fight or flight response; arousal, attraction and orgasm; rage; depression; calm; joy etc. By providing these fixtures of our daily lives a resonant ground, the chakras system conveys frequencies of the physical body’s physiological source for the response(s) into lab-grown entities that are literally bundles of nerves, muscles and tissues that serve to store the emotional/sensory state and exist as only that condition.
Medically it is known in some circles that emotional well-being encourages healthy bodily function and emotional unease extends to at least exacerbate physical ailments, if not cause them. The chakras system works as a causal agent in this equation.
Kundalini Control
Kundalini literature espouses the notion that a sort of energy snake exists coiled at the base of the spine, and gives one protocols to follow that excites this snake to uncoil, rising up the spine. I’ve heard from some that the snake is physical, from others that it is energetic.
A horizontal “spool-like” object of two broad-based cones meeting at their point has living upon it a long snake-like being, -another lab grown entity. The exterior of each cone-base is made of a gemstone that looks like a ruby. Kundalini meditation initiates a protocol this creature responds to, uncoiling to entangle itself to the electric component of the nervous system in the spinal column, co-opting the formative function of this segment of the nervous system all the way up to where it joins with the back bottom section of the brain and cerebral cortex.
An interesting aside worthy of note is that Nazi scientists were known to be experimenting with growing rubies toward WW2's end. Grown rubies themselves are a weaponized feature of the overall weapons array, where miniscule imperfections inside the gemstone are open pockets housing increasingly small creatures encased inside the gem. Rubies used for this purpose are placed on a large circle-shaped stand that is affixed to a large “headlamp” emitting a frequency of bright white light, when turned on the light shone through the ruby refracts and portrays the tiny creatures inside the ruby as large hologram-like creatures that have little impetus of their own, they may be stores for frequencies of sentient experience -like those mentioned in the chakras section- and are also carriers of negative emotional/neurological states that reside as energetic features within the kundalini “snake” or in its surrounding field. Rubies make a portion of the spool around which a kundalini snake is coiled are capable of serving this purpose.
The “Blue” Realm(s)
Regarding a region sometimes experienced in dream, trance and “out of body” states where an undulating electric blue light plays on all surfaces of the environment, a realm sometimes called by its visitors and inhabitants as “inside a star” –I believe that when Sylvia Brown mentioned on Coast to Coast AM that we (the earth) “is moving to a position inside the star” she was speaking about this location.
Accessed at the South Pole, extending downward and into the void dimension, is a large structure shaped like an elongated, stylized acorn (without the differentiation of the acorn’s “cap” section and its “nut”). At the point of the nut’s bottom is a large sphere. The entire construct is made out of a silver-looking metal and its whole surface undulates, playing the electric blue light across its exterior. This light looks a lot like what sun light shot through a cross section of Earth’s atmosphere looks like when seen along the arch of the earth’s horizon from space, devoid of a light source to illuminate it, as if the large metal object itself is an attractor for this frequency of energy.
Large arenas inside the structure contain electro-magnetically arranged physical realities, complete with land, houses, streets, fields, etc., all playing the electric-blue light across their surfaces and no source of light in the realm’s “sky”. People found in these “holds” often tell of being brought there in sleep and are now unable to return, each time I find myself there my experience ends in some sort of flight/levitation associated re-orientation of my physical position before I wake up. There are also large rooms in the structure playing the same light across all interior surfaces where rows of people stand zombie-like, a profound sense of foreboding dominates these areas.
The frequency of light serves as a recording/repurposing medium where the overall condition of people in this structure is replayed across, “through”, the planet’s inhabitants wholesale, couple this with the fact that the picture on our television screen is constructed out of a “red-blue-green” signal and the potential implications are alarming. (Though all of the information here is.) In one of Castaneda’s later books (either “The Active Side of Infinity” of “The Art of Dreaming”) he recounts an experience he had involving a little girl that was trapped, begging for his help to release her, she was always illuminated by blue light. It is my contention that he was interacting with a victim of this particular control construct.
Other levels/features of this structure include vats containing a liquid where lifeforms are grown and reside, to be entangled to the field of a consciously aware being. In the movie “Maze Runner: Scorch Trials” characters pass through a room where a vat of this type is seen, -mentioned only because the one where a monstrous looking tadpole like body with curved, almost spiraled upper backs are reminiscent of “beings” is have seen in the void, seeking to deliver control frequencies, specifically effecting the posture. Another level houses a large vat of a thick gelatinous substance, immersed in the “gel” are several mechanical devices that entangle to a person, the gelatinous substance itself is something like a bio-luminescent form of basal life, and is key to the entanglement process.
As I have said elsewhere on PA, children that disappear, many of whom have been trafficked through the global sex-slave trade, end up serving as manual labor in structures like this.
The sphere at the bottom of the “Acorn” structure projects a laser-like grid across its surface, the grid is projected through the planet as a whole, a three dimensional spherical grid of electro-magnetic frequencies, the “ley lines”, providing a three dimensional “mag-lev” track travelled by a class of “UFOs”. Naturally, most of the technology these craft utilize involves inertial dampeners negating g-forces of the ninety degree high-velocity shifts these ships display.
The interior of the sphere is hollow and serves as a receiving point for entangled control structures whose physical location is elsewhere in the solar system or in the void dimension. It is possible that physical objects relocate to this interior sphere through the “property” of entangled superposition, where the active components of a weapon in the array is “relocated” for delivery of attacks, possibly using the ley-line grid to locate the target.
The “Ringing”
What is reported as Tinnitus, a ringing in the ear that is near constant, or is heard intermittently often after exposure to high volume sound is an ongoing enforced condition. I explained some of the “sources” of the ringing and some of its purposes in the “House of Saturn” section of the Opening post in this thread:
http://projectavalon.net/forum4/showthread.php?90812-Why-Skull-and-Bones-exists-how-they-work
Here I will deal with the source of the ringing, the ringing is played through several control constructs and among other things, “sets” general consensus thought, it is played as a base frequency through cell phone signal towers, the ones that have a triangle shaped array of rectangles objects affixed to L-bars entangle directly to a spherical shaped object that has similar towers protruding from its surface using what the enemy’s science calls “The Law of Definite Proportion.” Bases of this type are not themselves the source, though the ringing is played through several such objects.
A diamond shaped black body that looks like two four sided pyramids meeting at their base, lying on its side, where the wall of the structure is tiered into several small, long steps, and the ridge of each step atop its riser carries the ringing. Inside the "diamond" is an almost football shaped, three dimensional “elongated oval” on its side, and ringing runs in parallel straight lines along the object’s exterior, the central column of the oval sphere is open and each line of ringing travels along the objects surface to this interior cavity.
In the central cavity is a long column made of a material resembling off-white ceramic with a rounded outer end and at its opposite, interior end it becomes a broad based cone, the cone end nearly meets the cone end of the second section of this column, which is the same shape as the other half. The “ceramic” of each side has open cavities interior to the rounded ends and has embedded within then, running their length, a central plane of thick gold with a rounded bump extending down its center. From this central bump, at about a quarter of the way up the interior cone-end, inside a gold cone attached to the plane of gold, a rod of grey metal attaches to a disc made of a grey metal perpendicular to the gold plane (as if it were a layer of the cone). The grey metal disc has protruding from its center a thin “antenna” with a small ball shape at its end, at the antenna’s base are a few prominences and round bands of the same metal, all attached to the disc.
The ringing comes from the enforced proximity of the grey disc structure interior to each side of the “ceramic” column, wherein the grey disc fixture and its features produce an audible friction; a sustained interference pattern resulting from their positions respective to one another.
These “ringing source structures” exist in several places, each setting thought containment specific to the interdimensional object and/or realm where they are placed.
The Fight
In response, a bodily and meditative discipline is extremely helpful, so long as it is pursued without visualization and practiced wholly apart from any and all iterations of new age thought and energies. In a very real sense conceptualizations are weaponized and used against us by this weapons array, and leaving the body is all together unneeded and absolutely ineffective. I shared practices I've found helpful here:
http://projectavalon.net/forum4/showthread.php?90812-Why-Skull-and-Bones-exists-how-they-work&p=1070013&viewfull=1#post1070013
"Who are we kidding kid? We were just born into this, and what the hell would make us think that we were any different?" "Forest Fire" by Astronautalis
by Joshua David Bloecker
Most of my threads are on this same topic, as I seek to elucidate the nature of the war we are in, and in order to eliminate the need to read my other threads to access this information, here is a brief, hopefully clarifying overview:
Consciousness is a large part of the fabric of space-time and a portion of that fabric is twisted and contorted, fashioned in specific ways to have detrimental effects on consciously aware sentience, effects sourced in large attack and control structures existing in another dimension. For purposes of this work, “Interdimensional” may be taken to mean a system of weapons where features of the array are “bi-located”, to exist in an entangled superposition, where the effect-delivering apparatus is anchored within the field of the physical target (person); and in other cases the attack/control results from directed fields and objects sent from another dimension to interface with sentient beings and have deleterious effect.
The overall enabling nature of this system is a void that cuts through and underlies physical reality. This “other dimension” houses aforementioned “attack and control structures”, several of these are physically accessed from specific locations in the physical reality of our planet.
Please note that I am sympathetic and compassionate to the nature of what is written here and seek not to provoke or incite argument, if what is contained below offends in some way your sensibilities, calling into question fixtures of your own experience considered sacred and valuable, it cannot be helped and I invite you to simply move-on from this and all my threads without giving them further consideration.
Attack/Control systems like the first two below seek to redirect, divert and contain ability attained through disciplined bodily and meditative techniques like yoga/chi gung etc. Less reputable ideations of Taoist tradition explain “the central column” as a vital feature of the overall being of man, this conceptual frame unnecessarily apportions a region of the body’s naturally occurring energetic underlay into a segment denoted as “separate” because of the overall effect of this weapons array.
Chakras System
A large spherical array of stacked thin metal plates, each large plate has large holes in it and each is slightly separate from the one beneath it, taken together they form an exposed “internal scaffold” of a ball housing smaller open spheres within the overall structure with a large open sphere at the construct’s center.
Entangled to the large open central sphere is the moon (in this solar system) that is shaped like a slightly deflated hexagram-patch soccer ball, when entangled to the central position of this “scaffold” it is surrounded by a plasma field, this field carries resonant effects originating within one or many objects housed within this moon, delivered to set the metal plates of the “scaffold” vibrating. This resonance is the “physical ground” of chakra’s vibratory function, the light of chakras is projected from within a spherical object inside the “soccer ball moon”.
Inside rooms, possibly in the moon structure itself, are arrays of square posts and each post has several hooks protruding from it, from the hooks hang what appear to be “candle holders” they are of the same thin metal as the “spherical scaffold”. The top platform of each holder is approximately 8 inches wide -it is slightly separated from a sheet of the same material below it, approximately six inches wide that is atop yet another platform four inches wide- these holders have attached to them a half-sphere rod which connects them to the hook protrusion of the central column. On these platforms live the creatures/entities known to inhabit chakras, where the surfaces of the “candle holder” are entangled to portions of the resonant plates of the large ball-shaped “internal scaffold” itself.
-Above aspects of this system comprise a physical “feedback-loop”, where sentient experiences that incorporate a certain depth of emotional and sensory input rooted in glandular secretions are triggered, encouraged and recorded by the resonant plates of the “ball scaffold”; chakra literature credits chakras with governing the energy “given” to glands of the endocrine system and organs in the body. Glandular secretions do augment the depth of emotional and sensory experience, as examples you may want to look up the role glandular function plays in the fight or flight response; arousal, attraction and orgasm; rage; depression; calm; joy etc. By providing these fixtures of our daily lives a resonant ground, the chakras system conveys frequencies of the physical body’s physiological source for the response(s) into lab-grown entities that are literally bundles of nerves, muscles and tissues that serve to store the emotional/sensory state and exist as only that condition.
Medically it is known in some circles that emotional well-being encourages healthy bodily function and emotional unease extends to at least exacerbate physical ailments, if not cause them. The chakras system works as a causal agent in this equation.
Kundalini Control
Kundalini literature espouses the notion that a sort of energy snake exists coiled at the base of the spine, and gives one protocols to follow that excites this snake to uncoil, rising up the spine. I’ve heard from some that the snake is physical, from others that it is energetic.
A horizontal “spool-like” object of two broad-based cones meeting at their point has living upon it a long snake-like being, -another lab grown entity. The exterior of each cone-base is made of a gemstone that looks like a ruby. Kundalini meditation initiates a protocol this creature responds to, uncoiling to entangle itself to the electric component of the nervous system in the spinal column, co-opting the formative function of this segment of the nervous system all the way up to where it joins with the back bottom section of the brain and cerebral cortex.
An interesting aside worthy of note is that Nazi scientists were known to be experimenting with growing rubies toward WW2's end. Grown rubies themselves are a weaponized feature of the overall weapons array, where miniscule imperfections inside the gemstone are open pockets housing increasingly small creatures encased inside the gem. Rubies used for this purpose are placed on a large circle-shaped stand that is affixed to a large “headlamp” emitting a frequency of bright white light, when turned on the light shone through the ruby refracts and portrays the tiny creatures inside the ruby as large hologram-like creatures that have little impetus of their own, they may be stores for frequencies of sentient experience -like those mentioned in the chakras section- and are also carriers of negative emotional/neurological states that reside as energetic features within the kundalini “snake” or in its surrounding field. Rubies make a portion of the spool around which a kundalini snake is coiled are capable of serving this purpose.
The “Blue” Realm(s)
Regarding a region sometimes experienced in dream, trance and “out of body” states where an undulating electric blue light plays on all surfaces of the environment, a realm sometimes called by its visitors and inhabitants as “inside a star” –I believe that when Sylvia Brown mentioned on Coast to Coast AM that we (the earth) “is moving to a position inside the star” she was speaking about this location.
Accessed at the South Pole, extending downward and into the void dimension, is a large structure shaped like an elongated, stylized acorn (without the differentiation of the acorn’s “cap” section and its “nut”). At the point of the nut’s bottom is a large sphere. The entire construct is made out of a silver-looking metal and its whole surface undulates, playing the electric blue light across its exterior. This light looks a lot like what sun light shot through a cross section of Earth’s atmosphere looks like when seen along the arch of the earth’s horizon from space, devoid of a light source to illuminate it, as if the large metal object itself is an attractor for this frequency of energy.
Large arenas inside the structure contain electro-magnetically arranged physical realities, complete with land, houses, streets, fields, etc., all playing the electric-blue light across their surfaces and no source of light in the realm’s “sky”. People found in these “holds” often tell of being brought there in sleep and are now unable to return, each time I find myself there my experience ends in some sort of flight/levitation associated re-orientation of my physical position before I wake up. There are also large rooms in the structure playing the same light across all interior surfaces where rows of people stand zombie-like, a profound sense of foreboding dominates these areas.
The frequency of light serves as a recording/repurposing medium where the overall condition of people in this structure is replayed across, “through”, the planet’s inhabitants wholesale, couple this with the fact that the picture on our television screen is constructed out of a “red-blue-green” signal and the potential implications are alarming. (Though all of the information here is.) In one of Castaneda’s later books (either “The Active Side of Infinity” of “The Art of Dreaming”) he recounts an experience he had involving a little girl that was trapped, begging for his help to release her, she was always illuminated by blue light. It is my contention that he was interacting with a victim of this particular control construct.
Other levels/features of this structure include vats containing a liquid where lifeforms are grown and reside, to be entangled to the field of a consciously aware being. In the movie “Maze Runner: Scorch Trials” characters pass through a room where a vat of this type is seen, -mentioned only because the one where a monstrous looking tadpole like body with curved, almost spiraled upper backs are reminiscent of “beings” is have seen in the void, seeking to deliver control frequencies, specifically effecting the posture. Another level houses a large vat of a thick gelatinous substance, immersed in the “gel” are several mechanical devices that entangle to a person, the gelatinous substance itself is something like a bio-luminescent form of basal life, and is key to the entanglement process.
As I have said elsewhere on PA, children that disappear, many of whom have been trafficked through the global sex-slave trade, end up serving as manual labor in structures like this.
The sphere at the bottom of the “Acorn” structure projects a laser-like grid across its surface, the grid is projected through the planet as a whole, a three dimensional spherical grid of electro-magnetic frequencies, the “ley lines”, providing a three dimensional “mag-lev” track travelled by a class of “UFOs”. Naturally, most of the technology these craft utilize involves inertial dampeners negating g-forces of the ninety degree high-velocity shifts these ships display.
The interior of the sphere is hollow and serves as a receiving point for entangled control structures whose physical location is elsewhere in the solar system or in the void dimension. It is possible that physical objects relocate to this interior sphere through the “property” of entangled superposition, where the active components of a weapon in the array is “relocated” for delivery of attacks, possibly using the ley-line grid to locate the target.
The “Ringing”
What is reported as Tinnitus, a ringing in the ear that is near constant, or is heard intermittently often after exposure to high volume sound is an ongoing enforced condition. I explained some of the “sources” of the ringing and some of its purposes in the “House of Saturn” section of the Opening post in this thread:
http://projectavalon.net/forum4/showthread.php?90812-Why-Skull-and-Bones-exists-how-they-work
Here I will deal with the source of the ringing, the ringing is played through several control constructs and among other things, “sets” general consensus thought, it is played as a base frequency through cell phone signal towers, the ones that have a triangle shaped array of rectangles objects affixed to L-bars entangle directly to a spherical shaped object that has similar towers protruding from its surface using what the enemy’s science calls “The Law of Definite Proportion.” Bases of this type are not themselves the source, though the ringing is played through several such objects.
A diamond shaped black body that looks like two four sided pyramids meeting at their base, lying on its side, where the wall of the structure is tiered into several small, long steps, and the ridge of each step atop its riser carries the ringing. Inside the "diamond" is an almost football shaped, three dimensional “elongated oval” on its side, and ringing runs in parallel straight lines along the object’s exterior, the central column of the oval sphere is open and each line of ringing travels along the objects surface to this interior cavity.
In the central cavity is a long column made of a material resembling off-white ceramic with a rounded outer end and at its opposite, interior end it becomes a broad based cone, the cone end nearly meets the cone end of the second section of this column, which is the same shape as the other half. The “ceramic” of each side has open cavities interior to the rounded ends and has embedded within then, running their length, a central plane of thick gold with a rounded bump extending down its center. From this central bump, at about a quarter of the way up the interior cone-end, inside a gold cone attached to the plane of gold, a rod of grey metal attaches to a disc made of a grey metal perpendicular to the gold plane (as if it were a layer of the cone). The grey metal disc has protruding from its center a thin “antenna” with a small ball shape at its end, at the antenna’s base are a few prominences and round bands of the same metal, all attached to the disc.
The ringing comes from the enforced proximity of the grey disc structure interior to each side of the “ceramic” column, wherein the grey disc fixture and its features produce an audible friction; a sustained interference pattern resulting from their positions respective to one another.
These “ringing source structures” exist in several places, each setting thought containment specific to the interdimensional object and/or realm where they are placed.
The Fight
In response, a bodily and meditative discipline is extremely helpful, so long as it is pursued without visualization and practiced wholly apart from any and all iterations of new age thought and energies. In a very real sense conceptualizations are weaponized and used against us by this weapons array, and leaving the body is all together unneeded and absolutely ineffective. I shared practices I've found helpful here:
http://projectavalon.net/forum4/showthread.php?90812-Why-Skull-and-Bones-exists-how-they-work&p=1070013&viewfull=1#post1070013
"Who are we kidding kid? We were just born into this, and what the hell would make us think that we were any different?" "Forest Fire" by Astronautalis