John Lenard Walson & Jeff Rense | Staggering Spaceship Photos - Ours? | June 20, 2017

[Helvetic]

John Lenard Walson & Jeff Rense |  Staggering Spaceship Photos - Ours? | June 20, 2017

Source: rense.com, John Lenard Walson youtube

Source: https://youtube.com/watch?v=yflzv53rI9g

Photos: Page 1, Page 2, Page 3

John Lenard Walson Youtube Channel

[Cidersomerset]

Good discussion with some interesting photos....

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Short 9 min vid John shows Kerry some of his set up , and they see something ?


MALTA UFOS: JOHN LENARD WALSON ROOFTOP

Source: https://youtube.com/watch?v=gHMuJz6yquc

Published on 11 Jul 2016


PROJECT CAMELOT IN MALTA WITH JOHN LENARD WALSON

[avid]

Have subscribed to JLW on yt for years, a thankless task on his behalf, but an amazingly brave 'hobbyist', a great interview, hopefully his fund-raising efforts for a new vehicle will exclude external manipulation. 😡

The other thing, why, in a 'built-up' area where there seems to be no neighbours' complaints, if my roof was being threatened by a neighbour's 'visitor' I'd also be suing for maintenance on my neighbourly property, who owned the Chinook/Apache hovering repeatedly over our conjoined properties? Who lives next door to this threatened person, and why have you not come forward to corroberate?

[avid]

This thread keeps crashing, as if it didn't exist...? Or just a technical hitch? Some of the links in the previous videos have been stopped, disappeared. I really worry for the safety of JLW, he is such an open and honest person, why underline the truth by obfuscation? This is a delicate situation, and support is necessary to those who may be 'stifled', despite undeniable evidence.

[conk]

Source: https://youtube.com/watch?v=HQY94J03g98

Some good examples of his findings.

Great interview, thanks!

[avid]

After years of watching, we cannot say these are definitely ours or not.

[Helvetic]

I do follow John since years and featuring his findings on my website.
Questions must be asked, is he the only one filming those objects? Or is he just brave enough coming forward.

Btw: This is the video he is talking about in the interview at the 10 min. mark.

Source: https://youtube.com/watch?v=ASI7wvE0SlE

[Hervé]

Posted by Helvetic (here)
[...]
Questions must be asked, is he the only one filming those objects? Or is he just brave enough coming forward.
[...]

Check this guy's post here (<---), as well as this thread: MOD UK Chinook does a VERY low flyby over John L Walson

[Flash]

check mojo, one of our member

Posted by Hervé (here)

Posted by Helvetic (here)
[...]
Questions must be asked, is he the only one filming those objects? Or is he just brave enough coming forward.
[...]

Check this guy's post here (<---), as well as this thread: MOD UK Chinook does a VERY low flyby over John L Walson

[Mike Gorman]

I have followed John's work for years now - he developed a unique method for using webcam focusing on his telescope, which enables a focus range that maximizes the performance of his very modest equipment.
It is remarkable, and the cover-all excuse for the existence of these very strange craft as being 'Starwars' is not really satisfactory.
John's Moon videos are superb, there are constructions and items on the Moon which are plain to see. I'm amazed John's work is not more widely known!

[Noelle]

When I see footage like John's, I gravitate toward the idea that we -- humanity -- are being watched, and whoever is watching us seems to know, almost at the precise moment, that we are watching them too.

[CurEus]

He has done some fantastic work!

Some of the objects in the video seem very much metallic but others seem almost organic. I am not certain they are "changing" or morphing though. Could it be our atmosphere interfering in some way or, if as he suggests, they are orbiting at great speed, perhaps light bending makes for an unclear image? I don't design spaceships....but probably wouldn't make them with giant tentacles. Perhaps they are "made" off energy? I am not an octopus either...maybe octopus people want tentacles on their ships?

I really would like to see someone try to launch a decent camera or satellite into orbit at least far enough away so we could get some clear images of these anomalies and the moon free from atmosphere and censorship. Hey I'd be happy with some clear pictures of our planet!

With the number of enthusiasts and their considerable innovation and skill I'm sure we could get quite a bit further than people launching go-pro cameras off of weather balloons...

[kirolak]

I've also followed his work for a long time, never doubted his veracity. But apparently some are claiming that he is posting images taken by one Abby Parker, & that he impersonates Michio Kaku on his Facebook account. . .I can't find any evidence for these allegations, & hope sincerely that he is what & who he says he is; it is so easy to cast a seed of doubt without any basis, to poison people's opinions, that I hesitate to even mention this.

Does anyone here have any personal knowledge of JLW?

[Spiral]

I've also followed JLW on youtube for some time & think he is legit, in that those are real images he's getting, but as to quite what they are is another question !

They could be a variety of things, ours, "theirs", undisclosed lifeforms that live on the edge of our atmosphere.....

My telescope isn't quite as big as his but I've still seen "objects" moving above the moons surface, I have no means of recording images though.

Ufo Lou is another youtube channel that posts videos that are very interesting, but as is always the case, the images are just good enough to prove it's a UFO to a believer, and just questionable enough to be anything else to a skeptic !

[LadyKitt]

This post will probably garner much criticism, but I'm compelled to write it.

In 1995, under my then married name of Katherine M. Beigle, I was hired by a firm in the television entertainment industry called Foundation Imaging as their Office Manager and financial director. Having terminated prior employment from burnout, and spending six glorious weeks in Costa Rica, I was essentially hanging around footloose when my then husband's niece's husband Paul Beigle-Bryant, called me up and asked if I would go up to Valencia near the Santa Clarita Valley, to talk to him and his partner, Ron Thornton, about literally helping them to transition from a visual effects (VFX) studio into a major computer graphics imaging (CGI) and special effects (SFX) production house in the entertainment industry.

They had serious difficulties. Ron was from England, and was utterly brilliant in the FX realms, and was a visionary who recognized the mind-boggling potentials of what could be achieved with computers. His artistic achievements while working with Newtek to develop their LightWave 3D broke open a whole new universe of CGI and FX, and earned them an Emmy for their space scenes and astoundingly fantastic space ships for Babylon 5, the TV series. The movements of the spaceships were so real because Ron went out and learned to fly, eventually getting his pilot's license. Ron Thornton was the true CGI godfather of Hollywood. Paul was their computer genius, and what they needed was an administrative and financial genius, which resulted in them hiring me. (And I was even allowed to use an old Mac to learn CGI.)

What does this have to do with JLW & JR? Well, I did learn CGI from the Godfather himself, who was not just generous when teaching people the art, he also in rare moments of musing about the future of computers and CGI spoke to me and Paul, and often just me, about the coming abuses which he was powerless to stop or guard against. And eventually his artists were hijacked and his CGI art itself.

I personally witnessed Ron's work with Newtek in developing his CGI art. I learned how to create CGI. And I laugh when I think about Ron's term for creating realistic exteriors for the spaceships: Nernies. What's that? Well, they're 'not really anythings'; nernies. But they give a flat metal surface depth and interest, and make them appear as if they've been to the far edges of the universe. And I learned about stuttering and smudging images to make them appear as if they're moving at warp speed.

My problem with the above images, and I first learned about them from Project Camelot, is that no matter how many times I view them, based on what I know and learned from Ron Thornton: I see nothing but CGI. I see absolutely nothing but CGI!

Oh, I really hope I'm wrong.

Kitt

[Foxie Loxie]

I do believe I remember Kerry saying her partner was taking such pictures, or a friend of hers. The shape seemed the same to me, but what do I know?! She said after taking the pictures, black helicopters would fly over.

[Noelle]

Could the CGI creations be mirroring what's up there? As above, so below, or something like that. Maybe they're not intentionally replicating what's above. It could be more of an unconscious manifestation, like Michelangelo "possibly" painting the Trapezium in the Orion Nebula before the Orion Nebula was seen for the first time by telescope.

To illustrate what I am saying, you can compare the Flame and Horsehead nebula to some of Walson's photographed objects. Very similar, at least to me.

[Spiral]

Posted by LadyKitt (here)
This post will probably garner much criticism, but I'm compelled to write it.

In 1995, under my then married name of Katherine M. Beigle, I was hired by a firm in the television entertainment industry called Foundation Imaging as their Office Manager and financial director. Having terminated prior employment from burnout, and spending six glorious weeks in Costa Rica, I was essentially hanging around footloose when my then husband's niece's husband Paul Beigle-Bryant, called me up and asked if I would go up to Valencia near the Santa Clarita Valley, to talk to him and his partner, Ron Thornton, about literally helping them to transition from a visual effects (VFX) studio into a major computer graphics imaging (CGI) and special effects (SFX) production house in the entertainment industry.

They had serious difficulties. Ron was from England, and was utterly brilliant in the FX realms, and was a visionary who recognized the mind-boggling potentials of what could be achieved with computers. His artistic achievements while working with Newtek to develop their LightWave 3D broke open a whole new universe of CGI and FX, and earned them an Emmy for their space scenes and astoundingly fantastic space ships for Babylon 5, the TV series. The movements of the spaceships were so real because Ron went out and learned to fly, eventually getting his pilot's license. Ron Thornton was the true CGI godfather of Hollywood. Paul was their computer genius, and what they needed was an administrative and financial genius, which resulted in them hiring me. (And I was even allowed to use an old Mac to learn CGI.)

What does this have to do with JLW & JR? Well, I did learn CGI from the Godfather himself, who was not just generous when teaching people the art, he also in rare moments of musing about the future of computers and CGI spoke to me and Paul, and often just me, about the coming abuses which he was powerless to stop or guard against. And eventually his artists were hijacked and his CGI art itself.

I personally witnessed Ron's work with Newtek in developing his CGI art. I learned how to create CGI. And I laugh when I think about Ron's term for creating realistic exteriors for the spaceships: Nernies. What's that? Well, they're 'not really anythings'; nernies. But they give a flat metal surface depth and interest, and make them appear as if they've been to the far edges of the universe. And I learned about stuttering and smudging images to make them appear as if they're moving at warp speed.

My problem with the above images, and I first learned about them from Project Camelot, is that no matter how many times I view them, based on what I know and learned from Ron Thornton: I see nothing but CGI. I see absolutely nothing but CGI!

Oh, I really hope I'm wrong.

Kitt

This is the problem with all images now we are the digital age, there are no negatives, no point at which anyone can say anything is 100% legit...

All I can say is invest in a telescope ( min a Newtonian 4 inch) , look up & be "open" to what might be there, your own mind can close out what is right in front of you !




PS, you will see far more without a camera, they control what is filmed, if you want to see something fantastic don't carry a smartphone or camera

[norman]

I don't have a problem with the images as much as I struggle with getting my head around a thousand+ low flying episodes over a residential estate.

[LadyKitt]

LadyM made an astute and really excellent observation :

"Could the CGI creations be mirroring what's up there? As above, so below, or something like that. Maybe they're not intentionally replicating what's above. It could be more of an unconscious manifestation, like Michelangelo "possibly" painting the Trapezium in the Orion Nebula before the Orion Nebula was seen for the first time by telescope."


Wow, an excellent observation! It had never before occurred to me to look for meaningful replications that way. This definitely changes my perspective and kind of reminds me of when my older brother and I were crossing a small grassy park, and he stopped suddenly and bent over to look between his legs up at the sky. Naturally I asked what he was doing, and he was just wondering if the view would change from that angle. Now curious myself I stopped and bent over to check out that view. You'd think I would learn! Of course he popped up and ran over to knock me on my butt!

Hmmm, seems that the universe has tricked me that way so many times, too, over the years. But it was worth it, and thanks for the reminder.