article: From the Nanotube Radio to Modern Experiments in Invisible Frequencies: An Explanation of V2K

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From the Nanotube Radio to Modern Experiments in Invisible Frequencies: An Explanation of V2K


The Tiny Sound That Echoed Through the Ages


By Kevin Boykin, 10/29/2025
In collaboration with David Iorlano

This essay accompanies new experimental work by researcher David Iorlano, who has documented measurable acoustic frequencies corresponding to Targeted Individuals’ reported tinnitus phenomena. What follows connects his findings to a longer technological lineage—one that began with the discovery of the nanoradio.

1. The New Evidence
Every so often, an experiment shifts a conversation from speculation to signal.
Recently, researcher and field technician David Iorlano recorded on video what many have long dismissed as subjective: the faint, high-pitched, unwanted tone known among Targeted Individuals as “synthetic tinnitus.” Using calibrated microphones and a spectrum analyzer, he captured consistent frequencies—real, measurable bands of energy that corresponded to what participants were simultaneously hearing.

On the analyzer’s screen David showed us that there were several frequencies used for every perceived case of tinnitus, joining for the purpose of increased annoyance. Specifically, his recording revealed distinct frequency bands between 17.8 and 18.3 kHz, with the most activity clustering near 18 kHz.
A second, slightly lower set appeared around 16 kHz.
The analyzer is not in a place to be debated into concession; it’s cold instrumentation.

Iorlano has spent years tracing the interface between technology and perception. His goal has never been drama but documentation—evidence that can be replicated. The work is quiet, methodical, and dangerous only to assumption.

Watching the data unfold, one is reminded that sound itself is not confined to the ear. It is vibration—energy rendered interpretable. What David is capturing may be the first tangible bridge between personal experience and external phenomenon.

And that thought led me back to a memory: a different experiment, years ago, in which matter itself found its voice.

2. The Echo of Carbon
In 2007, a team at the University of California, Berkeley, led by physicist Alex Zettl, built what was then the world’s smallest working radio receiver—constructed from a single carbon nanotube.

This thread of matter, ten thousand times thinner than a human hair, could do everything a full-sized radio could: tune, amplify, demodulate, and broadcast.
It didn’t just receive a signal—it sang.

A nanotube clamped between two electrodes began to vibrate mechanically in response to electromagnetic waves. Those vibrations produced an audible signal in 2007 for the first time—Eric Clapton’s Layla, broadcast from a nearby transmitter and played through an external speaker.

Carbon, the same element that forms our cells and synapses, had become a complete communications system unto itself.
Zettl called it “a radio small enough to fit inside a living cell.” The potential applications ranged from medical implants to micro-robots traveling the bloodstream. The technology’s essence was not machinery but geometry: a perfectly formed lattice of carbon atoms responding to invisible energy fields.

The discovery was no accident.
Its roots went back to 1991, when Sumio Iijima first described “needlelike tubes” of carbon growing on the tips of graphite electrodes. These nanotubes, whether single-, double-, or multi-walled, displayed extraordinary strength and conductivity—the strongest bonds in nature holding a structure so precise that electrons could travel through it without scattering.

Perfection, it seemed, could hear.

3. When Matter Listens
Zettl’s team discovered that when you make matter that perfect, it stops being inert. The carbon itself becomes an antenna—a bridge between electromagnetic wave and mechanical vibration.
A nanotube doesn’t merely carry information; it translates it.

The implications were immediate and unsettling. A radio that could fit inside a cell is also a proof of concept for devices that interact directly with biological systems. Zettl imagined benign possibilities—hearing aids, neural interfaces, miniature sensors—but the physics makes no moral distinction. Once matter can listen, what else might it hear?

Today, nearly two decades later, as David Iorlano’s analyzer plots frequencies invisible to the ordinary ear, one cannot help but wonder whether we are seeing the next echo of that same discovery.
Perhaps the nanotube’s song never stopped. Perhaps we are only now learning to recognize its harmonics in ourselves.


4. Reflection – From 2007 to Now
Eighteen years separate Zettl’s carbon filament from Iorlano’s spectral traces, yet they may belong to the same story.
Both began as curiosity-driven experiments; both ended by demonstrating that invisible energy can move through the physical world in ways we were never taught to imagine.

The nanoradio was a marvel of miniaturization, but its deeper revelation was philosophical: that perception could be engineered into matter itself. Once we learned that a single atomic lattice could detect and demodulate electromagnetic waves, the old boundaries between receiver and received began to erode.

In today’s laboratories, this logic has been extended—nanomaterials are designed to interact with biology, bioelectronic medicine speaks to nerves with voltage, and neuromodulation systems transmit signals across tissue without a single wire. The tools of communication and control have grown smaller, quieter, and vastly more intimate.

So when Iorlano’s analyzer captures faint frequencies that mirror what people describe as tinnitus, it’s no longer easy to dismiss. We have already built the technology that makes such effects physically possible.
What once seemed paranormal may simply be miniature.

His data also reminds us that the human body itself is an exquisite receiver—electrochemical, resonant, carbon-based. The same atomic structures that made the nanotube sing are present within us. If matter can be tuned, can consciousness be, too?

To ask that question is not to claim an answer. It is to acknowledge that science has entered the range of speculation once reserved for theology and myth. We can now measure what was once mystical, and in doing so, we risk re-encountering mystery under a new name.

5. Synthesis – The Targeting Context
Every major technology eventually meets the human nervous system.
The printing press met the eye; radio met the ear; the network met the mind.
Nanotechnology will meet the cell.

The targeting program—whatever one chooses to call the constellation of directed-energy research, psychological manipulation, and neural-interface experimentation—exists somewhere along that trajectory. It represents the uneasy point where communications science, behavioral study, and power converge.

If a carbon lattice can act as both antenna and amplifier, then any environment rich in such materials becomes a potential communications field. The human body, saturated with conductive tissue and trace metals, is already a living sensor array. Add to that a world filled with invisible transmissions—Wi-Fi, Bluetooth, radar, satellites—and the question is not whether interaction can occur, but how precisely it is being managed and by whom.

This is the unspoken premise of Iorlano’s recordings. His work doesn’t “prove” a conspiracy; it demonstrates feasibility. The same physics that allows a nanotube to demodulate a song could, at sufficient precision, impress patterns upon biological matter. The barrier between radio engineering and neuro-stimulation has grown paper-thin.

The Chorus Hypothesis

If a single carbon nanotube can capture and demodulate a radio signal, imagine millions of such filaments operating in unison. Their individual movements would be microscopic, yet when tuned to a common frequency they could behave like a chorus—a distributed resonator whose collective vibration rises to audible scale. The sinuses, Eustachian tubes, and cochlea already serve as natural acoustic cavities; within them, any network of nanoscale oscillators could find mechanical leverage through bone conduction or the resonant coupling of inner-ear fluids. The phenomenon of resonant frequency could be employed for maximum impact. In this light, the “tiny radio” becomes less a curiosity of physics than a bridge concept: proof that wireless mechanical resonance can occur at the scale of biology.

Modern biotelemetry and body-area networks confirm that wireless feedback with living tissue is feasible. If adaptive algorithms were to monitor neural response and continually retune carrier frequencies for maximal resonance, the effect could be maintained without any implanted transducer—purely by field coherence between an external emission and internal structures. Whether the coupling path is bone, fluid, or nanomaterial is uncertain; what matters is the principle. Resonance allows a whisper of energy to become experience. And that principle links Zettl’s bench-top experiment to the measurable tinnitus signatures David Iorlano has begun to document: vibration migrating from the invisible to the heard.

But technical possibility is only part of the story. The larger issue is intent. Who steers the signal? To what end? In a society where attention is currency and perception is profit, technologies that reach the nervous system are the final marketplace. Influence becomes indistinguishable from interface.

But without rigorous measurement, the conversation drifts into paranoia; without moral and philosophical framing, it drifts into complacency. Both extremes serve the same master—distraction.

We do not need to believe in a singular “program” to see the pattern. The pattern is our century itself: the miniaturization of power, the internalization of surveillance, the quiet colonization of perception. What began as a nanotube vibrating to Layla may end as an algorithm vibrating through the human mind.

6. Listening to the Smallest Voices
The first voice was carbon, a perfect construct made from that molecule that all of our bodies are based on.
It crackled at first, softly, in a Berkeley lab, its first noises the equivalent of cries of a technology newborn.
That sound—a song translated through a single strand of the universe’s own geometry—wasn’t merely a technological milestone. To some it was a warning wrapped in swaddling clothes.

“He that hath ears to hear, let him hear.” Matt 11:15
Again they fancy themselves to be gods by telling us that everything that can listen will eventually be made to listen.
That every discovery contains the seed of its command.

Today, the conversation has moved from laboratories to living rooms, from instruments to individuals. We are surrounded by invisible language: electromagnetic fields, algorithmic cues, tones pitched beyond hearing yet not beyond effect. They come together to form a sour harmony of control.

The moral question is whether we have kept the right to decide what we listen to, something Mr. Iorlano definitely knows his position on.

When David Iorlano captures faint frequencies matching what others only feel, he isn’t proving madness or miracle — he’s demonstrating that tinnitus is an externally generated, measurable phenomenon. The challenge now is to separate the signal from the strategy: to tell where physics ends and influence begins.






https://kasspert.wordpress.com/2025/...e-frequencies/

[Squareinthecircle]

Co-researcher and writer David Iorlano has released an update in light of our findings. It's a recommendation for addressing and providing relief for the tinnitus and V2K aspects, arrived at through the research above. There's a lot to this one so please read about it here, and God bless the TIs:

https://geckopico.substack.com/p/nan...nd-freedom-the

[gnostic9]

This episode of Bring The Fire with Jesse Beltran is the most important interview we have ever released.
Havana Syndrome. Weaponised frequencies. Nanotech inside the human body. A hybrid human future already being engineered.
This is not speculation. This is a warning.

Source: https://youtube.com/watch?v=zQN9VK07eMw

Love peace and joy to all!