LETS TALK ABOUT ... "Iron Jim"

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We all know who that director is, right? James Cameron?

Some have already fallen in love with his take on AVATAR, or remember the epic love story from 'Titanic'.
Well, I for one am still a 'virgin' when it comes to Titanic's 'love' story, for I haven't seen the film, yet (and I don't plan to, in case you were wondering). But most of everyone else has seen it, and that is for sure. See the figures below:

Budget: $200,000,000 (estimated)
Gross: $658,672,302 (USA) (8 June 2012)
http://www.imdb.com/title/tt0120338/?ref_=nm_flmg_dr_14

Source: https://youtube.com/watch?v=zCy5WQ9S4c0

What is to follow here is going to be a different take on the person and the director James Cameron.
This is not going to be my personal opinion, but rather a compilation of material I have come across, enough to just give you an idea who the person appears to be, both on the floor, as some in the movie buzz call being 'on set', and off stage.

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Taken from imdb: http://www.imdb.com/name/nm0000116/b..._=nm_ov_bio_sm

James Francis Cameron was born on August 16, 1954 in Kapuskasing, Ontario, Canada. He moved to the United States in 1971. The son of an engineer, he majored in physics at California State University but, after graduating, drove a truck to support his screenwriting ambition. He landed his first professional film job as art director, miniature-set builder, and process-projection supervisor on Roger Corman's Battle Beyond the Stars (1980) and debuted as a director with Piranha Part Two: The Spawning (1981) the following year. In 1984, he wrote and directed The Terminator (1984), a futuristic action-thriller starring Arnold Schwarzenegger, Michael Biehn and Linda Hamilton. It was a huge success. After this came a string of successful science-fiction action films such as Aliens (1986), The Abyss (1989) and Terminator 2: Judgment Day (1991). In 1990, Cameron formed his own production company, Lightstorm Entertainment. In 1997, he wrote and directed Titanic (1997), a romance epic about two young lovers from social classes who meet on board the famous ship. The movie went on to break all box office records and earned eleven Academy Awards. It became the highest grossing movie of all time. The rest is history. James Cameron is now one of the most sought-after directors in Hollywood. He was formerly married to producer Gale Anne Hurd, who produced several of his films. In 2000, he married actress Suzy Amis, who appeared in Titanic, and they have three children.

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This is going to be a rather long revealing, and I hope you will have the patience. It will be worth it!

Thank you!



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I will start a bit slow here: http://www.newyorker.com/reporting/2..._fact_goodyear

The director James Cameron is six feet two and fair, with paper-white hair and turbid blue-green eyes. He is a screamer—righteous, withering, aggrieved. “Do you want Paul Verhoeven to finish this mother****er?” he shouted, an inch from Arnold Schwarzenegger’s face, after the actor went awol from the set of “True Lies,” a James Bond spoof that Cameron was shooting in Washington, D.C. (Schwarzenegger had been giving the other actors a tour of the Capitol.) Cameron has mastered every job on set, and has even been known to grab a brush out of a makeup artist’s hand. “I always do makeup touch-ups myself, especially for blood, wounds, and dirt,” he says. “It saves so much time.” His evaluations of others’ abilities are colorful riddles. “Hiring you is like firing two good men,” he says, or “Watching him light is like watching two monkeys **** a football.” A small, loyal band of cast and crew works with him repeatedly; they call the dark side of his personality Mij—Jim backward.

The pressures on Cameron are extreme, never mind that he has brought them on himself. His movies are among the most expensive ever made. “Terminator 2” was the first film to cost a hundred million dollars, “Titanic” the first to exceed two hundred million. But victory is sweeter after a close brush with defeat. “Terminator 2” earned five hundred and nineteen million around the world, and “Titanic,” which came out in 1997, still holds the record for global box-office: $1.8 billion.

Cameron is fifty-five. It has been twelve years since he has made a feature film; “Avatar,” his new movie, comes out on December 18th and will have cost more than two hundred and thirty million dollars by the time it’s done. He started working on it full time four years ago, from a script he wrote in 1994. “Avatar” will be the first big-budget action blockbuster in 3-D; Cameron shot it using camera systems that he developed himself. He is a pioneer of special effects: the undulating water column of “The Abyss” and the liquid-silver man of “Terminator 2” helped to inspire the digital revolution that has transformed movie-making in the past two decades. The digital elements of “Avatar,” he claims, are so believable that, even when they exist alongside human actors, the audience will lose track of what is real and what is not. “This film integrates my life’s achievements,” he told me. “It’s the most complicated stuff anyone’s ever done.” Another time, he said, “If you set your goals ridiculously high and it’s a failure, you will fail above everyone else’s success.”

George Lucas popularized space opera; Steven Spielberg has perfected awe. Cameron’s movies, soaked in sweat and blood and scorched by apocalyptic flames, have romance at their molten cores. Some of his most memorable characters—Sarah Connor, the heroine of the “Terminator” movies; Ellen Ripley, of “Aliens”—are mothers. The writing is a genre of its own: “tech-noir,” Cameron called it after “Terminator”; his late-period style is more like gear-head schmaltz. “in the blackness we hear the lonely ping of a bottom sonar,” the beginning of his treatment for “Titanic” reads. “Then two faint lights appear, close together . . . growing brighter. They each resolve into clusters of lights, which are soon revealed to be two deep submersibles, falling toward us. We are somewhere in the ocean deep, looking up at two subs free-falling like express elevators. . . . Soon they are fireflies, then stars. Then gone.” Spielberg says, “He gets a lot of points for being a techno-brat, but he is a very emotional storyteller.”

“With ‘Avatar,’ I thought, Forget all these chick flicks and do a classic guys’ adventure movie, something in the Edgar Rice Burroughs mold, like John Carter of Mars—a soldier goes to Mars,” Cameron told me. The hero of “Avatar,” Jake Sully (Sam Worthington), is a paraplegic ex-marine who travels to Pandora, a moon in the Alpha Centauri star system, where there is a human colony. Humans can’t breathe the air on Pandora; Jake lies in a casket-like vessel, while his consciousness, projected into an “avatar”—Vishnu-blue and nine feet tall, like the native population, the Na’vi—explores Pandora’s rich interior. It is a fantasy about fantasy, about the experience of sitting inert in the dark while your mind enters another world. Set roughly a hundred and twenty-five years in the future, “Avatar” is, like most speculative science fiction, a cautionary tale. Humans have turned Earth into a wasteland and, in their pursuit of a precious superconductor called Unobtanium, are beginning to do the same to Pandora. Jake, through his avatar, falls in love with a Na’vi princess, who teaches him to live in harmony with nature, and then he leads her people in an insurrection against the colonists. “Of course, the whole movie ends up being about women, how guys relate to their lovers, mothers—there’s a large female presence,” Cameron said. “I try to do my testosterone movie and it’s a chick flick. That’s how it is for me.” This summer, addressing an auditorium filled with thousands of teen-age boys at Comic-Con, in San Diego—an annual convention of science-fiction, action-adventure, and fantasy fans—he made his identification with the fair sex complete. When someone in the audience asked about his next movie, he replied, “You know, it’s not a great time to ask a woman if she wants to have other kids when she’s crowning.”

Cameron behaves as if he were the embattled protagonist of one of his own films—an ordinary Joe beaten on the anvil of extraordinary trials. “The words ‘No’ and ‘That’s impossible’ and phrases like ‘That can’t be done’—that’s the stuff that gives him an erection,” the actor Bill Paxton, who has worked with Cameron since the early eighties, says. Cameron reserves a special quotient of his anger for suits who get in his way. “Tell your friend he’s getting ****ed in the ass, and if he would stop squirming it wouldn't hurt so much” was the message he once told a Fox producer to deliver to an executive at the studio. He sees himself as essentially outside and other and alone; he bites the hand that feeds. “Even though he knew I was on his side, nobody’s ever on his side,” Bill Mechanic, who ran Fox Studios during the making of “Titanic,” said. “It’s like you’re in the trenches and your infantry-mate is shooting at you, even if you’re the only one there who can save his life.”

There is a chivalric aspect to Cameron’s antagonism; he figures his struggles in heroic terms. “I try to live with honor, even if it costs me millions of dollars and takes a long time,” he says. “It’s very unusual in Hollywood. Few people are trustworthy—a handshake means nothing to them. They feel they’re required to keep an agreement with you only if you’re successful, or they need you. I’ve tried not to get sucked into the Hollywood hierarchy system. Personally, I don’t like it when people are deferential to me because I’m an established filmmaker. It’s a blue-collar sensibility.”

Cameron was born in Canada, and grew up in a small town not far from Niagara Falls. (He revoked his application for American citizenship after Bush won the election in 2004.) His father was an engineer for a paper company; his mother brought up five children, and told stories of racing stock cars and joining the women’s auxiliary of the Canadian Army. Jim was the oldest, the ringleader of his siblings and the other kids in the neighborhood. “There was always some new thing that absolutely needed to get done, whether it was building a fort or an airplane or launching rockets,” he told me. “We made it in the papers once, for a U.F.O. sighting over a hot-air balloon that we built and launched at night that was powered by candles.” His hero was Jacques Cousteau, and although he lived four hundred miles from the ocean, he became obsessed with scuba. He learned to dive in Buffalo one February in a Y.M.C.A. pool.

At fourteen, Cameron saw the movie that made him want to make his own: Stanley Kubrick’s “2001: A Space Odyssey,” the first cinematic exquisite treatment of what had traditionally been B-movie material. “I saw all these cool spacecraft and I wanted to know how the visual effects were done,” he said. “I started building my own models of spaceships, from the ‘2001’ model kit and the ‘making-of’ book, which was quite thick and well researched.” After he finished making “True Lies,” Cameron called Kubrick, by then a recluse, and invited himself over. They spent a day, in the basement of Kubrick’s house in the English countryside, watching “True Lies” at Kubrick’s flatbed editing station. Cameron went over the shots—Schwarzenegger in a Harrier jet firing a missile, with the villain attached to it, through an office building and into a helicopter: boom!—so that Kubrick could learn how the effects were done.

When Cameron was seventeen, his father was transferred to Southern California, and the family moved to Brea, a small city in Orange County. He had left Canada without a high-school diploma, and started taking classes at Fullerton Junior College, supporting himself by working as a precision tool-and-die machinist. “My dad was a college graduate,” he said. “But, see, I didn't want to do the things he thought I should—you know, something good, like engineering.” He dropped out, and, when he was twenty-three, married a woman who worked as a waitress at a Bob’s Big Boy. For a while, he drove a truck for a local school district. In archetypal terms, this was his period of exile and self-denial, the refusal of the call. “I just became this blue-collar guy,” he said. “But I was constantly thinking as an artist, so I’m painting, drawing, writing, thinking about visual effects and film-making.”

In Brea, Cameron met William Wisher and Randall Frakes, who also wanted to make movies, and who are still his two best friends. Eventually, they raised the money to make a short film, “Xenogenesis,” starring Wisher as a futuristic man in an orange jumpsuit who battles an armored robot with a metal pincer for a hand. It got Cameron a job sculpting models for Roger Corman in L.A.

Corman’s studio—a training ground for filmmakers like Francis Ford Coppola, Martin Scorsese, and Jonathan Demme—specialized in low-budget genre films. Cameron distinguished himself immediately, and soon he was designing sets. He was focused—often working through the night—and he was scrappy. “He’d take all these random parts—Winnebago parts, industrial dish washing racks, Sonotubes, a lot of paint—and turn them into an incredible set,” Paxton, who worked for Corman as a set dresser, recalled. For “Battle Beyond the Stars,” Corman’s takeoff on “Star Wars,” Cameron was asked to design the spaceships. “His sketches were brilliant,” Corman said. “The best of that type of work that I had ever seen.” Each spaceship reflected the character of its pilot, and also Cameron’s instinct for the iconic, literal image; to the mother ship, Nell, he gave a curvaceous shape and a pair of heaving breasts.

James Cameron doesn’t go to the bathroom; he goes to the head. In his universe, there is no front and back, right and left, just fore and aft, starboard and port. He is still an avid scuba diver; when there are sharks in the water, he says, he’s the first one in. Free-diving, he has held his breath for more than three minutes and reached a depth of a hundred and ten feet. (“You feel like a denizen of the deep, if only for a second,” he says. “Plus, diving below the scuba divers, I like just to see the look on their faces.”) He used to have a JetRanger helicopter, and owns a slew of dirt bikes, three Harleys, a Ducati, and a Ford GT—“basically a race car with a license plate”—in classic blue-and-white livery. In Corvettes, he has favored triple black—black body, black interior, black top. For pleasure, he designs submersibles; the one he’s working on now can go to thirty-six thousand feet, and he hopes to use it to explore the Mariana Trench, the deepest spot on earth. He signs his missives “Jim out,” and, when he’s working, a deep mechanical roar, like a Navy klaxon, summons him to the stage. “Dive! dive! dive!” he said, an intent look in his eyes, when I asked him what the signal meant.

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And since I am no journalist, I can afford to go a bit deeper and a bit better, and reveal a bit more: http://www.whale.to/b/cameron5.html

THE JAMES CAMERON CONSPIRACY THEORY

Note: this copy of the James Cameron Conspiracy Theory contains never before seen information that wasn't in the previous online version. This HTML version is divided into three 6.5 page sections for easier reading.

WARNING: The information contained within the 19.5 pages of this document will shake the core of all your belief systems. If you are prepared to read it, do so with extreme caution. You and the world will never be the same again as history itself collapses before your eyes.

Being one of the most successful movies in the world is an astounding statement from people who have seen James Cameron's "TITANIC". It is a reflection of how many people have been affected by the imagery and emotion within the film. Although there have been those who have found fault in parts of Titanic's technical side, the emotional side turned out to be perfect; or was it deliberately engineered that way? Some have called the emotion within Titanic manipulative to the point of deliberately having scenes that elate, sadden, shock and anger the audience.

This manipulation is an interesting aspect of Mr. Cameron's work. No matter what he works on or writes the emotional atmosphere is always perfect in the finished product and according to Cameron is "biographical" of his life. Born in Kapuskasing, Ontario, Canada in 1954, James Cameron grew up in Niagara Falls. He has always strived to be the best, whether his endeavors were class projects or playing soldier with his friends. According to Cameron's "official" biography, his childhood created the drive to overcome obstacles which stood in his way and would help later in life.

At this point in history, another person, who shares the surname Cameron, was at work making progress manipulating behavior and emotion for a deliberately engineered goal. The person is Dr. Donald Ewen Cameron.

Dr. Cameron began his career in psychology assisting the Office of Special Services (O.S.S.), interrogating prisoners during World War II. Among his most famous patients was Rudolf Hess, who had flown a plane to Britain in order to make a peace deal between Germany and the Allies. Hess was captured, imprisoned and was later interviewed by several psychiatrists, including Dr. Cameron. Much of Dr. Cameron's work, involved psychiatric techniques designed to modify and control a persons behavior patterns. His work was also derived from experiments performed on concentration camp prisoners in Nazi Germany and brought to the U.S. after World War II by the O.S.S. under "Operation Paper Clip".

In the 1950's, Dr. Cameron's successful work led to his appointment as head of the American Psychological Association (APA), the Canadian Psychological Association (CPA) and the World Psychological Association (WPA). By this time, the O.S.S. had changed its name under President Harry Truman's Administration to become the Central Intelligence Agency (C.I.A.) in 1947. Dr. Cameron was contracted by the C.I.A. to continue his work in behavior manipulation under Projects Bluebird and Artichoke which would later become MK-ULTRA in 1953.

MK-ULTRA had several sub-programs, approximately 149, ranging among the subjects of biology, drugs, sexual activities, technology, physics, psychology and even motion pictures. It's no accident that movies created in the McCarthy era of the 1950's were designed to scare the public about the threat of Communists, brainwashing or space aliens. Hollywood's motion pictures became a tool of MK-ULTRA.

In the world of psychiatry, Dr. Cameron was a relentless, merciless man driven by a need to know how to control and modify human behavior, in other words direct it. His most common experiments were drug inducement, sensory deprivation, sensory overload, as well as "psychic driving", the process of replaying his voice recorded in previous sessions with his patients. Dr. Cameron also performed prefrontal lobotomies and electro-convulsive shock treatments.

According to the CIA's charter Dr. Cameron's work, especially in creating potential "Manchurian Candidates", would have violated the ban on domestic CIA operations within the United States. With the help of the Canadian government and C.I.A. Director Allen Dulles, who was one of Cameron's colleagues in the O.S.S., Dr. Cameron relocated his work to the Allen Memorial Psychiatric Institute in Montreal, Canada in 1957 and stayed there until 1963.

On a side note, Allen Dulles would run the C.I.A. until after the Bay of Pigs fiasco, when he and General Charles Cabell (brother of Earl Cabell, the mayor of Dallas) were fired by President John F. Kennedy in 1961. After the tragedy of John F. Kennedy's assassination on November 22, 1963 in Dallas, Dulles was appointed to Warren Commission by Chief Justice Earl Warren to help investigate the assassination and the background of supposed assassin or patsy, Lee Harvey Oswald.

The Allen Institute would soon become an infamous brain butchery under Dr. Camerons control. Many patients were subjected to extreme and harsh conditions that included drug induced comas that lasted months, lobotomies, bright lights, sounds, moving images and electro-shocking that were in such excesses that it killed the patients. Other creations of Dr. Camerons butcher shop included the development of psychedelic drugs, most notably, LSD.

After Dr. Cameron left Montreal he retired to private life in the United States and vanished from the picture but his work continued on in MK-ULTRA until it was supposedly shut down by CIA Director Richard Helms in 1973.

Many of the documents from MK-ULTRA were destroyed on orders from Helms. Helms was also responsible for providing E. Howard Hunt with the information necessary for the break-in at the Watergate hotel in 1972 for the purpose of helping President Richard Nixon smear and psychologically destroy Daniel Ellsberg. Ellsberg was the Pentagon aide who had leaked the Pentagon Papers revealing Nixon's involvement in escalating the Vietnam War. The resulting Watergate scandal would eventually lead to the resignation of Nixon in 1974.

The murky world of intelligence operations became murkier as names changed to protect secrecy. MK-ULTRA simply assumed the new name MK-SEARCH and continued on into 1984.

In the late 1970's, while MK-SEARCH(MK-ULTRA) continued on the intelligence front, an unknown truck driver in California named James Cameron decided to quit his job and get into the film making business.

According to "official history", James Cameron moved to Brea, California in 1971, completed high school and attended five semesters at Fullerton College in Orange County. After dropping out of college, Cameron had convinced a consortium of dentists from Tustin, California seeking a tax writeoff to finance a short film in 35mm which he called "XenoGenesis".

The word "consortium" is interesting in itself; its dictionary term is given as "international business alliance". Since these dentists are from a local area, why are they described in this manner? If "business" is dropped from the definition, we're left with "international alliance" meaning they belong a large organization which envelops the world. The use of the word "Xenogenesis" as the name of Cameron's first film was also interesting because it meant "the birth of an alien species".

In actuality, these "dentists" were "psychiatrists" and operatives connected to the CIA's MK-ULTRA program and Dr. Donald Ewen Cameron. James Cameron and the "psychiatrists" knew each other from a fraternal organization they belonged to. This secret brotherhood helped finance Cameron's first film and would continue to help his career. He had entered this organization when he turned 21 years of age. The majority of persons in the intelligence community, including Dr. Cameron, belonged to the same organization which is commonly known as the FREEMASONS.

The Freemasons are a global fraternal organization that exist for the express purpose of enlightening those who choose to join its ranks. According to public sources, Freemasonry was created in the 1700's in Europe, but if one delves deeper into the mysteries that make up Freemasonry, it is learned that the origins of the brotherhood trace back to a highly advanced civilization named Atlantis which existed before the one we're in now. Much of the high technology, advanced thinking and philosophical ideals were handed down through the generations in secret after a "Great Flood" destroyed Atlantis.

This technology would be revealed to the people of the world once again at a prescribed moment in time. It's no accident the 20th Century is one of the most technological achieving centuries in our civilization. This century saw the creation of techniques that would be used to control the mind as we saw earlier in this document with the CIA's implementation of Dr. Cameron's mind experiments and MK-ULTRA technology. The reason the "consortium" approached James Cameron was for the opportunity to use subliminal imagery and emotional manipulation on mass numbers of people and prepare them for an engineered future.

James Cameron continued onward in his career to enter the world of Roger Corman. The studio owned by Corman was named "New World Pictures". The "New World" was short for "New World Order", a phrase that embodies the idealism of Freemasonry, a global government. The phrase would eventually be spoken in public by President George Bush(Former Director of the CIA and 33rd Degree Mason) in 1991.

Cameron worked as miniature builder, model unit Director of Photography and matte painter on a film called "Battle Beyond the Stars" . The film's title was symbolic of a belief held by many in the UFO community as well as Freemasons that an ancient battle took place in this solar system thousands of years ago. The idea was to use MK-ULTRA technology to prepare the masses to believe in extra-terrestials for the purpose of bringing humanity into the "New World Order". More of this would be used later in Cameron's film career.

Determined to get into directing, Cameron worked on another science fiction film with a symbolic name, "Galaxy of Terror". Cameron became second unit director.

In 1982, during the early years of the administration of President Ronald Reagan(33rd Degree Mason), Cameron wrote "The Terminator" along with his 2nd wife Gale Anne Hurd, who's a member of the Order of the Eastern Star, a Masonic women's organization.

The basic idea of "The Terminator" involved sending a man back through time to prevent a cyborg from killing a woman who would give birth to humanity's savior, a man who would save humanity from a world ruled by machines. The symbology of this story was taken from the Bible with the woman's situation somewhat compared to the "virgin mary" and humanity's savior paralleled to her son.

Source: https://youtube.com/watch?v=lHz95RYUbik

[chocolate]

We are still not done yet, here.

The Freemasonic symbolism in the Terminator was obvious throughout the movie. One of the first symbols was the use of "blue light" used in dark situations. This would later become one of Cameron's directing styles.

The blue light was symbolic of Cameron's ascension from the first three degrees of Freemasonry, which are known as the blue degrees, to the next level of degrees which are known as the York Rite.

One of the characters in "The Terminator" described the machines as "a new order of intelligence". You can hear the words "New World Order" in the sub-text.

The most concrete symbol was the name of the distributor for the film. Although Cameron worked with Hemdale and HBO to get the film made, the film was distributed by Orion Pictures. Orion is symbolic of Osiris, the ancient Egyptian god of enlightenment and fertility.

Osiris's counterpart was Isis, the Egyptian goddess of the Earth. Both of these ancient deities are represented by the "male" and "female" components of the "square and compass" symbol of Freemasonry. The square represents "Isis" and the compass is "Osiris". Also symbolized by Isis is the star known as Sirius. Some Freemasons believe their ancestors came from Sirius.

The purpose of Orion's release of "The Terminator" was to be the first mass use of Dr. Cameron's work in a James Cameron film. The film was designed to imprint a subliminal message to unconsciously prepare the public for a higher form of technology which would arrive on Earth in the future. Those who resist this message would be "terminated".

While Cameron was unknowingly getting financing from the "consortium" for "The Terminator" he wrote two more scripts; "Rambo: First Blood Part II" and "Aliens". The subtitle "First Blood Part II" from the Rambo sequel was symbolic of Cameron's ascension through the York Rite degrees while "Aliens" was being prepared as another step in manipulating the minds of the public with MK-ULTRA technology.

After "The Terminator's" success, Cameron directed "Aliens" and began production in 1985 in England. The film was shot in a studio in England so Cameron could receive the rest of his York Rite degrees in the town of York while on breaks from shooting the film.

Source: https://youtube.com/watch?v=e0DFvWLXv9U

Source: https://youtube.com/watch?v=XKSQmYUaIyE

Aliens was the sequel to Alien, a 1979 movie about Earth explorers searching another planet for use as a mining colony. When they got there, they were slowly hunted down by the inhabitants of that world which were acid-blooded creatures; insect like as adults and as snake-like parasites when young that used the humans as hosts and eventually killed them by bursting out of their chests. Aliens debuted in 1986.

The film became one of the highest grossing 'R' rated films and also won Oscars for Best Visual Effects and Best Sound. It was fairly obvious to anyone with the knowledge in this document that the fear and excitement generated by the sounds and effects of the movie were the result of mind manipulation. Why? To further solidify the fact in peoples minds that humans will one day face a threat from outside this world and force them to unify as one.

Once Cameron had finished this film, he had also completed his York Rite degrees in Freemasonry and ascended to the Scottish Rite. It's aworthy to note that during this time in 1985 and 1987, 33rd Degree Mason President Ronald Reagan had made several public statements alluding to a threat from the "outside" that would unify the world.

Before Ronald Reagan had become governor of California, he and his wife Nancy had first seen a UFO over a highway near Hollywood while on their way to a casual dinner with some of their celebrity friends. The Reagans had arrived an hour late for the dinner, extremely distressed and described their experience. This would change the Reagan's view of the world forever and would influence their future actions and public statements.

These "threat from the outside statements" included a speech on December 4th, 1985 at Fallston High School in Maryland. Reagan was describing a 5 hour private discussion with Soviet Premier Gorbachev and Reagan told him(Gorbachev) to think "how easy his task and mine might be in these meetings that we held if suddenly there was a threat to this world from some other species from another planet outside in the universe. We'd forget all the little local differences that we have between our countries..."

On September 21st, 1987, in a speech before Congress, Reagan had said the following; "In our obsession with the antagonism of the moment, we often forget how much unites all the members of humanity. Perhaps we need some outside universal threat to make us recognize this common bond. I occasionally think how quickly our differences would vanish if we were facing an alien threat from outside this world". Something was definitely going on, not only in Cameron's films but the world's governments as well.

The next project on Cameron's list was "THE ABYSS", a film about a group of oil rig workers who help recover a sunken nuclear submarine. During this recovery they are unknowingly watched by an extra-terrestial intelligence. In the special edition of the film, it was made clear the extra-terrestials were warning the human race to come together as one or face destruction.

Source: https://youtube.com/watch?v=lJyRF0Fzl9Y

During the shooting of the film, Cameron had been "trained" by the "consortium" in techniques similar to Dr. Cameron's "Psychic Driving" by pushing the workers and actors on the set to the limit. According to published reports, Mary Elizabeth Mastrantonio was pushed to such a limit that she now avoids Cameron at all costs. To this day, Ed Harris refuses to even talk about his experience with Cameron on the set. "The Abyss" was also the first movie using the "morphing" technique that made a photo-realistic computer animation that was used to spellbound the audience. The film had also gained Oscars for Best Visual effects which was more proof of MK-ULTRA being used and now combined with computer technology.
The film was released to the public in 1989. This was the same year as the swearing in of President George Bush and fall of the Berlin Wall in Germany. Both events were staged by the Freemasons to prepare the world for the global coming together as one. The name "Abyss" was symbolic of Cameron getting even deeper into information which is privy to the Freemasons.

In 1990 Cameron had co-written "Point Break" with his third wife and Order of the Eastern Star member, Kathryn Bigelow who directed. He became an executive producer on the film. "Point Break" was released in 1991 and went on to make $100 million and topped the video rental charts. Although the film was about a group of persons who robbed banks, a lot of subliminal imagery was added to the film which explains why the film was popular.

Lightstorm Entertainment became a new production company created by Cameron and financed by the "consortium". The name Lightstorm was allegedly symbolic of the appearance of the Terminator in the "Terminator" films but was really symbolic of Cameron receiving more intellectual light from the Freemasons. The first film that would be produced by Cameron's new company was "Terminator 2. Judgment Day", the sequel to the Terminator.

The title of "Terminator 2: Judgment Day" was symbolic of a future war to come because of technology and to prepare the public to accept a form a destruction beyond of their control.

The film also featured the use of computer technology to make a morphing character that would leave the audience with chills. The character was created at Industrial Light and Magic. "Light and Magic" are symbolic of the mysteries inside of Freemasonry.

More incidents of "psychic driving" had also taken place. One of them being an incident involving Edward Furlong, who had played John Connor in the film, and lip balm. He was coerced by an under-cover "consortium" member to use the lip balm. After shooting a scene and congratulating Furlong for his performance, Cameron noticed the lip balm on Furlong's lips and yelled at him for screwing up the scene. Later, Furlong admitted in a magazine interview that the incident left him paranoid about the rest of the shoot.

To some people outside of the "consortium" this mind control technology was becoming apparent and needed to be covered up. Cameron's script for the film was rewritten with some of the parts removed to conceal facts related to the MK-ULTRA technology. One such example of proof follows when describing Sarah Connor's treatment in the mental institution with electro-convulsive-therapy.

[...]

Cameron's description of the ECT scene would not be tolerated by the "consortium" who had funded his films. This scene was removed in order to prevent any person's who have been unknowingly affected by MK-ULTRA technology at the movies from discovering that they've been mind controlled. This scene also made the "consortium" wonder about Cameron's loyalty to them.

In 1991 the world witnessed the Persian Gulf War that led to massive popularity of President George Bush who had proclaimed the "New World Order" after the defeat of Iraq and the liberation of Kuwait. Later that year Terminator 2 was released on the July 4th weekend. All of the revenues from the film, including the box office receipts, video, TV and merchandising made close to 1 Billion dollars. By the end of the year the global coming together got even closer with the collapse of the Soviet Union.

While these events were taking place in the foreground, people began reporting sightings of United Nations military equipment. This equipment which included tanks, troop transports, jeeps and trucks, were shipped to military bases on railroad cars through the backwoods of the United States. Something was definitely being planned and the American people were being kept in the dark by the mainstream media.

MK-SEARCH(MK-ULTRA) technology continued in 1992 while James Cameron was taking a break from film-making. After MK-SEARCH had ended in 1984, the technology was transferred to the U.S. Navy's Research and Development. Through intensive research, Navy R&D had created a new way of controlling the mind using microwave signals modulated from 300-3000 MHz(Megahertz).

Using this technology on a mass scale would require a massive antenna array which could reflect these signals off the upper atmosphere and bounce them back to a precise location on Earth. MK-SEARCH, through Navy R&D had evolved into a new program known as the High Altitude Auroral Research Project, or HAARP.

HAARP was first used to mind control masses of people in Los Angeles during the first four months of 1992 in order to cause stress among the population and create tension. This tension needed a match to ignite a fire. The match was the Rodney King Beating Trial. On April 29th of 1992 four police officers, who were videotaped beating King the year before, were acquitted of all charges. The use of HAARP was combined with the constant replays of Rodney Kings beating on television for nearly a year would make tensions reach a point of friction.

This friction had lit the match and HAARP's mind control of the population of South Central Los Angeles was the gasoline. The result was the Los Angeles Riots which had caused the deaths of nearly 60 people. The situation had gotten so out of control that President George Bush was going to send in the army and declare martial law. If things got too bad, Bush would have used the authority of Executive Order 11490.

E.O. 11490 was originally drafted by President Richard Nixon (33rd Degree Mason) to give him the power to abolish congress, suspend the constitution, declare martial law and put the functions of the U.S. Government under the control of the Federal Emergency Management Agency. Nixon had considered using E.O. 11490 during the Vietnam war to control the anti-war protesters in America.

Luckily for the American public the riots in the late 1960's and the riots in Los Angeles of 1992 were brought under control, but the options of E.O. 11490 were available for any sitting President after Nixon. HARRP had proven itself as a new tool in mind control.

This technology was being prepared for a future event. Ronald Reagan had already given us clues with his "threat from the outside speeches". More of this plan was being discovered by concerned citizens and militia types who had discovered "detention camps" being constructed all over the United States. The purpose of these camps are to imprison anyone who might interfere with this event.

The use of HAARP's mind control signals will coincide with this "event" in order to make the people of the Earth comply. Those unaffected such as libertarians, patriots, individualists, survivalists or anyone else who doesn't think the way the established media wants them to think, would be hauled off to these detention camps in cattle cars. Welcome to the New World Order.

In 1992, after watching the film "A Night to Remember", Cameron began doing research for a future project called "Titanic" which would fit into this pattern of mind-control and Freemasonic symbolism.

True Lies, which was released in 1994, became the next big film for Cameron. The title "True Lies" was symbolic of the inversion of words and meanings commonly found in Freemasonry to confuse outsiders. The best way to understand the title was to remember a phrase created by English Occultist/Freemason Aleister Crowley; "If you want to understand, learn to think backwards".

Symbols that appeared in the film varied from helicopters silhouetted against the morning sun so they appeared as "black helicopters" to symbolic names for chracters. There have been massive "black helicopter" sightings all over the United States throughout the 1990's.

The name "Trilby" was chosed by Cameron for the leader of the Omega group, a spy organization in "True Lies". "Trilby" was symbolic of the type of hats Freemasons would wear at many of their gatherings. A play based on a novel called "Trilby" was written in 1848 by a Freemason, the same year in which Freemasons were nearly driven out of the United States after the murder of Captian William Morgan who had revealed many Masonic secrets.

The name of the organization "Omega" was symbolic of the future as in "Alpha and Omega" from the Book of Revelations. "Alpha stood for the past while "Omega stood for the "future". It was an indication something is coming that would be a "True Lie".

With all this success, Cameron had gained enough momentum to move further up in the Scottish Rite degrees of Freemasonry in order to receive guidance and direction from an established Hollywood "consortium" known as the Hollywood Twelve. "Hollywood-12" was a mirror group for the U.S. government's Majestic-12. MJ-12 was created in 1947 after the crash of the extra-terrestial vehicle in Roswell, New Mexico, designed to manipulate history and to control information on extra-terrestials. HW-12 was originally created in the 1950's during the "Red Scare" and McCarthy witch-hunts that swept across America.

When the Freemasons and their "consortium" of psychiatrists first introduced the MK-ULTRA technology to Hollywood, to prepare the public for extra-terrestials and the New World Order, it was determined that a consortium would have to be built among those experienced in film making to implement this technology and keep it in the proper hands. All of this culminated to become Hollywood Twelve, made up of film studios and television networks. Among HW-12's members today are;

20th Century Fox, Universal, Paramount, Warner Brothers, Sony/Columbia Pictures, Amblin Entertainment, Disney, Orion, CBS, NBC, ABC.

It is the mission of HW-12 to use MK-ULTRA technology to it's limits in ALL entertainment mediums, including, films, television, magazines, computers and now the internet.

In 1995 "Strange Days" debuted, a film written and "produced" by Cameron and directed by his 3rd wife(now ex-wife) Kathryn Bigelow. "Strange Days", named after a "Doors" song was symbolic of the weird things which would be occurring from 1995 onward and would shape history toward the world government by the millennium.

The film was based on a type of technology called "SQUID" - Superconducting QUantum Interference Device. This device could be used to record human experiences on a CD ROM and play them back for later use. "SQUID" was an actual device created from MK-ULTRA technology as a device to record and play back memories as well as a "psychic driving" tool to cause "de-patternization" of human consciousness and multiple personalities. Dr. Donald Ewen Cameron had acheived similar results in the 1950's by repeatedly playing his recorded voice to mental patients.

A lot of the SQUID imagery in "Strange Days" was loaded with subliminal messages which were inserted by "consortium" members who had infiltrated "Digital Domain" a special effects company created by Cameron in 1993. The film itself didn't make much at the box office and it was designed that way to determine which types of subliminal images would draw people to Cameron's films.

The negative portrayal of the SQUID technology was influenced by Cameron and the "consortium" began to see him as a problem that needed to be handled. It turns out that while writing and researching Strange Days, Cameron had discovered the MK-ULTRA connection and read about Dr. Donald Ewen Cameron's brain butchery in Montreal in the 1950's. He was horrified to discover that his great artistic talents had been used in this way. Cameron would try to break away from this madness.

The next big project on Cameron's list was "TITANIC". A culmination of five years worth of research, Cameron was finally going to make a film that would be free of MK-ULTRA's influence. Since "Strange Days", Cameron had learned he had been manipulated and controlled since the beginning of his career by a group of "bad" Freemasons who work for evil purposes. In order to understand this, you have to trace the history of the Freemasons from Atlantis. The information goes off on a tangent and becomes lengthy but it is necessary to fully comprehend the rest of this document.

Thought to be legend by those outside Freemasonry, Atlantis was an island continent located in the Atlantic Ocean. Extra-terrestials from Orion and Sirius known as "originators" had created Atlantis by using thousands of spacecraft parked in Earth's orbit.

These spacecraft were equipped with graviton lasers that drilled thousands holes in the floor of the Atlantic Ocean and molded the exuding lava into the continent. After the lava had cooled, the "originators" terra firmed the new continent with artificial soil and rapidly grown plant life. Atlantis was finally populated with animals from various parts of the Earth as well as humanoid hybrids to create the Atlantean civilization.

These hybrids were crosses between the genetic material of the Neanderthal humans of Earth and the genetic material of the originators. This process of creating these hybrids was known as Xenogenesis; the birth of an alien species. Remember this was also the name of James Cameron's very first film in which he was helped by the Freemasons. This was a clue to the past as will be a clue for the future as you will see later.

The Xenogenesis in Atlantis created what we know as "homo-sapiens" or the modern human being. Humanity started with two hybrids who were named "Adam" and "Eve" and placed in a location the originators had named "Eden". For those of you debating whether "creation" or "evolution" had created humans, this shows that BOTH are true.

As a model for this XenoGenesis and Atlantis, the "origininators" had created a colony on Mars in the Cydonia region.. Remnants of this colony exist today such as the Cydonia pyramids and the Face on Mars. The originators who had the responsibility of creating "Eden" were known as "galactic originator disciples". The hybrids simply knew them by their acronym, "GOD".

Unfortunately, there was an unseen force resisting against the plans of "originators" that would compromise the original plan for "Eden". The opposition consisted of a group of evil "originators" from Sirius who had deliberately planned to take over and defeat the originators from Orion. They were labeled by the Orion originators as "destructive ecstalogical makers of nihilistic savagery" or "demons". Their leader was originally from Sirius and his name was "Satan".

Satan had caused a rebellion among the community of Orion and Sirius known as a "war in heaven". The civilization in the Sirius system was created in a similar fashion as Atlantis and Satan knew what it was like to be controlled. He had collected an army among the Sirius originators and had declared war on the Orion originators.

Satan was eventually defeated in massive battles between his army and "GOD" but there were losses with the destruction of the Cydonia colony, the surface of Mars and its atmosphere after a planet located between Mars and Jupiter exploded. This planet was known by the name "Fenex"

After the explosion, the remains of Fenex created the beginnings of the asteroid belt. A few survivors had escaped this exploded planet and migrated to Earth. They settled the civilization known as Mu in the southwestern portion of North America. The center of Mu was located where Phoenix, Arizona now sits. The name "Phoenix" which means "rebirth" was derived from "Fenex".

As for Satan, he and survivors from his army were cast down to Earth by "GOD", never to rejoin the galactic community, but they wouldn't stay defeated for long. By using technology stolen from "GOD", Satan would make himself appear in other forms including the shape of a snake. He had coerced "Eve" into eating an "apple" from the "tree of knowledge" which was bio-enginnered by "GOD".

The edible parts of this tree contained enzymes that would give the hybrids sentience (or self awareness) and advanced intelligence. After Eve had convinced Adam to eat from this "tree", the "originators" quickly banished the hybrids from the garden to fend for themselves. The descendants of Adam and Eve populated Atlantis and would have to work their way through life.

Eventually, Atlantis formed a goverment and founded ten separate republics. During it's history, a disagreement over how Atlantis was going to be managed had split the Atlanteans into two factions, the Sons of Belial, who's genetic ancestors had come from Sirius and the Law of One, who's genetic ancestors had come from Orion. The disagreement evolved into a civil war which led to the suppression of the Law of One, which emphasized spiritual existence, and the creation of a dictatorship by the Sons of Belial which emphasized materialism.

The continuing materialism of the Sons of Belial led to the creation of changes in the Earth's climate, via pollution and waste of resources which caused the sinking of the Atlantean continent. This sinking was described in many ancient texts including the book of "Genesis" in the Bible as the "Great Flood". It's noteworthy that "Genesis" was derived from the word XenoGenesis.

The story about "Noah" in "Genesis" describes how GOD had instructed him to build an ark to preserve the biogenetic diversity of Atlantis by gathering all the animals of his known world by twos and take them to other parts of the Earth. Before Atlantis disappeared beneath the ocean, the Law of One preserved the intellectual and philosophical idealism from Atlantis and stored it inside of two hollow pillars they named BOAZ and JACHIN which floated away after the flood. Boaz was the Atlantean word for "strength" while Jachin stood for "stability".

The pillars were eventually discovered at a place we would now call the Straits of Gibraltar between Spain and Morocco. From the information found inside these pillars by travelers who were known as "sojourners", they founded the earliest remnants of Freemasonry with the precepts of "strength and stability". The information was first given to the Egyptians and passed down through different civilizations including Persia, Babylon, Greece and Rome.

After the collapse of the Roman Empire, the information was nearly lost in the Dark Ages(1300's) and the Inquisition (1500's) but was kept alive in various secret places known as lodges, the meeting houses of Freemasons. As Freemasonry evolved into the 1700's, a bitter dispute split Freemasonry into two factions, a revived Sons of Belial (also known as the Illuminati) and the Law of One. Both sides would work toward one goal, the recreation of Atlantis.

With the help of several of their members from both sides, including George Washington of the American Masons and Adam Weishaupt of the Bavarian Illuminati, they created the United States of America in 1776. Since then, both factions have two versions of the same goal. The Sons of Belial faction wants to enslave the human race in a "New World Order" while the Law of One Faction wants to create a "Pax Humana" or Human Peace.

The Sons of Belial faction are responsible for events that set back human history and creativity while The Law of One faction has been responsible for advancing the human race toward the it's ultimate goal, to rejoin the community of civilizations in the universe where humanity originally came from.

After breaking from the Sons of Belial faction of Freemasonry, James Cameron was finally approached by members of the Law of One faction to help him create one of the most emotionally moving and popular films of all time. When Cameron casted actors to fill the roles, the Law of One faction helped him find other Law of One members who would make the film a success.

Among them were Order of Eastern Star members, Kate Winslet and Gloria Stuart for the young Rose and old Rose roles. For the Jack Dawson role, Cameron had chose Leonardo Dicaprio, who is a Freemason. He had admitted to being a Mason in a interview with RTL, a German television network. When the RTL reporter pressed for further details on the fraternity, Leo became uncomfortable and abruptly ended the interview. Why did he do this? He's been followed by members of the Son's of Belial faction and they've intimidated him into silence.

Cameron himself wouldn't remain completely free from the Sons of Belial faction for long. During part of the filming in Nova Scotia, someone had spiked clam chowder that was going to be fed to crew members with PCP. This had sickened many people, including Cameron who's eyes had become as red as the eyes of the Terminator. Everyone recovered but more events would take place. Another Son of Belial member posing as a Mexican mafia hitman had threatened Cameron's life on the Titanic set in Baja, Mexico.

In March of 1997 while still shooting Titanic, Cameron had secretly traveled to Arizona to become a 32nd Degree Mason at the Masonic lodge in downtown Phoenix, on March 13th, 1997. While Cameron was receiving his initiation into the 32nd degree from his Law of One allies, millions of people had witnessed a large V-shaped formation of "lights" over the city of Phoenix.

It's worthy to note that Phoenix is just north of 33° North Latitude and it's ancient name was mentioned before in this document as "Fenex". 33 is very symbolic in Freemasonry since it is the highest degree attainable in the fraternity. The number of turns in a complete sequence of human DNA equals 33. This was deliberately engineered during the "XenoGenesis" as a clue to the fact that humans are an engineered species. As historical reminders, many sites sacred to the Law of One are located in the vicinity of 33° including North America's first Masonic Lodge in Charleston, South Carolina as well as the Pyramids of Giza in Egypt which are patterned after the belt stars of "Orion".

The lights over Phoenix were part of a large "extra-terrestial" spacecraft that was sent from Orion by the "originators". The occupants of the ship had warned them that destruction was on the horizon which would be caused by the Sons of Belial and their allies from Sirius. After many people outside of Freemasonry began making inquiries into the Phoenix Event, the spacecraft was deliberately dismissed in the media as "flares" on orders from the Sons of Belial.

Upon knowing the entire world was at stake, the Law of One continued to help Cameron make Titanic into a "religious experience" and to serve as a metaphorical warning to the world of the consequences of the Sons of Belial faction taking over with their "New World Order" and moving carelessly into the future with only technology.

Under the Sons of Belial, the population of the world would be coerced into slavery and finally destruction. Similar ideas of the choice between servitude or destruction have been placed in several recent Hollywood movies ranging from films like "Independence Day" to "The X-Files Movie" as warnings of the future to come.

The image of this frightening future was first embedded into the minds of the public early in the history of the 20th century with the sinking of Titanic. The Sons of Belial had deliberately sunk Titanic in 1912 to prevent the Law of One from creating world peace. Members of the Sons of Belial who had access to media outlets had deliberately pushed an agenda in the media to give "Titanic" the aura of unsinkability so they could proceed with their plans of taking over the world.

Before the voyage had begun, a Son of Belial member had met with and ordered Captain Smith to ignore any kind of warnings or advisories he might receive during the journey and go "full steam ahead" at all costs. The name of the member was J.P. Morgan.

In the "official" history books, J.P. Morgan had backed out of his decision to sail on Titanic at the last minute because of his wife's "alleged" premonition of the sinking of the ship. This was an alibi for Morgan because he had taken out the world's most expensive insurance policy on Titanic through Lloyd's of London and his company White Star Lines. In order make sure the luxury liner's maiden voyage would be a disaster, J. Bruce Ismay was sent by Morgan to remind Captian Smith of his "orders".

Lets look at this in perspective. Why would such a tragic event be planned? You have to understand who was on the ship. Several influential persons on the ship who were from the Law of One faction of Freemasonry were in the process of creating the foundations of what would eventually become a "League of Nations" or Pax Humana. After the ship struck the iceberg died in the cold North Atlantic sea, the creation of the "League of Nations" was carried on by Law of One members who survived. It's now a fact that those who died on the ship were homicide victims at the hands of the Sons of Belial. Titanic was doomed from the beginning.

The very next year in 1913, the Sons of Belial faction of Freemasonry had created their own influential organization with the help of J.P. Morgan and his billionaire friend and Standard Oil Company owner John D. Rockefeller. The both of them would use the money from Titanic's insurance policy to create the foundations for the bureaucracy of the "New World Order" in 1913. That year the "Council on Foreign Relations" , an organization which would eventually have offshoots like the United Nations in 1948 and the "Trilateral Commission" in the 1970's, was unofficialy established. The CFR would be "officially established" by 1921.

By 1914, the Sons of Belial had influenced events which sparked World War I. The Law of One had to wait until after the end of the war in 1918 to begin laying the foundations for the "League of Nations". The war between the Law of One and the Sons of Belial would escalate through the rest of this century.

The Wall Street Crash of 1929, the rise of the Third Reich and Adolf Hitler, World War II, the Holocaust, the creation of nuclear weapons(on 33° North Laditude at Almagordo, New Mexico), the rise of Communist China, the Korean War, the Cold War, the Cuban Missile Crisis, the Kennedy assassination(located on 33° North Latitude in Dallas Texas), the Gulf of Tonkin incident and the Vietnam War, and the Gulf War were caused by the Sons of Belial to wear down the Law of One. The Law of One has responded to these events in various ways including putting humans on the Moon in 1969. So far they have have prevented the world from sinking into the abyss. Here in the present, the Sons of Belial tried to destroy the Titanic movie in the media by deliberately creating bad press, but they failed in their efforts when the movie became a hit.

The number of Oscar nominations received by "Titanic" had explained the Law of One's influence on the "religious experience" side while the MK-ULTRA technology held by the Sons of Belial influenced the films subliminal imagery and created repeated viewing by audience members to the point of the film taking in 1 Billion dollars. The success of Titanic created a rewarding situation for Cameron who was now a 32nd Degree Mason. In August of 1997 he had married Linda Hamilton, who played Sarah Connor in Terminator 2 and is also a member of the Order of the Eastern Star. His success would escalate to the the Oscars.

The Academy Awards was held at the Shrine Auditorium in Los Angeles on March 23rd of 1998. The building was built in 1927 by The Ancient Arabic Order of the Nobles of the Mystic Shrine, better known as the Shriners. The Shriners are an organization which admits only 32nd degree Freemasons and was founded in New York City in the 1870's by American actor William Florence.

Upon entering the Shrine Auditorium in Los Angeles, James Cameron was inducted as 33rd Degree Freemason. Titanic had won 11 Oscars, and the categories in which it won had shown where the Law of One and the Sons of Belial had influence. When Cameron picked up the Oscar for Best Picture, he had told the audience of 1 Billion people that "we're here tonight to celebrate the magic of movies". That statement was given to expose MK-ULTRA's connections to the film industry. Cameron had also said the message of Titanic is "the unthinkable can happen, the future is unknowable, and the only thing we truly own is today and that life is precious".

This was a veiled warning about the Sons of Belials plans for our future and Cameron knows of the destruction that's coming from their "New World Order" which includes an invasion of Earth by allies of the Sons of Belial from Sirius. Finally, Cameron asked everybody to observe a moment of silence for the victims on Titanic. It was very obvious at this point that he had broken free from the grip of the Sons of Belial faction of Freemasonry and had sided with the Law of One.

The Sons of Belial and their "consortium" have made their next move by trying to corrupt James Cameron with money by giving him $100 Million dollars from the profits made by Titanic. Whether Cameron is swayed will depend on whether he stays "square" in all of his business dealings and circumscribes his passions with a moral "compass". The Sons of Belial will be waiting for him.

On an end note, anyone who tries to debunk or dismiss this document, whether they are psychiatrists, government agents, skeptics, secret society members or just plain ignoramuses who laugh at this, will forever prove the information true.

REALITY IS WHAT YOU BELIEVE
NOT WHAT THEY WANT YOU TO THINK
HISTORY IS SHATTERED FOREVER
BECAUSE THE PARADIGM SHIFT IS HERE
COPYRIGHT 1998 BY MORNING STAR THE LIGHT BEARER

[chocolate]

And because I still love all of James Cameron's films, another less inquisitive perspective on him here: http://www.sfsite.com/gary/came01.htm

By now, I suppose, you must be expecting me to say something about James Cameron, now that he is supplanting Steven SPIELBERG as today's most popular and profitable director of science fiction films. Don't expect an overabundance of enthusiasm.

Might I get away with a brief summary? James Cameron has an uncanny knack for coming up with "original" screen stories that usually—though not always—manage to barely escape legal claims of plagiarism. He is an absolute master at overseeing magnificent cinematic entertainments that will entrance even the most resistant of filmgoers. And, despite his own pretensions to the contrary, he is a filmmaker with absolutely nothing to say, who embarrasses himself whenever he says it.

Cameron is at his best, then, when accompanied by a strong personality, like producer and ex-wife Gale Anne HURD or action star Arnold SCHWARZENEGGER, to impose restraint upon his tendency toward bloated, self-indulgent excess. The results in those cases? Others might rave about the taut energy and surprising intelligence of The Terminator, or the way that Cameron made Aliens a much better adaptation of Robert A. HEINLEIN's Starship Troopers than the official Paul VERHOEVEN version (did Heinlein consider suing?). But I think my favorite Cameron film is True Lies, a superbly crafted, utterly mindless action film with compelling action scenes balanced by precisely the right amount of domestic comedy as to placate the wives and girlfriends who were dragged into the theatre to watch it. (And while we're celebrating schlock, let's not forget his beginnings as a nifty special-effects artist for colorful time-wasters like Battle Beyond the Stars, Galaxy of Terror, and Escape from New York.)

As for his other films: well, surely the marriage to Hurd fell apart, and she effectively abandoned their final project, when it became apparent that there was nothing she could do to rescue the sinking ship that was The Abyss. Do I have to say anything about Titanic simply because of the fleeting element of fantasy in its saccharine conclusion? Someday, I promise, I will force myself to sit through the whole thing and offer an informed opinion. Its chief virtue is that, for a while, the money that movie earned encouraged Cameron to restrict his directorial outings to inoffensive documentaries while he presided as producer over other directors' follies. But then, out of and into the blue, came Avatar, about which I have waxed eloquent in another venue. In a nutshell, all the trolls in cyberspace will never alter my view that it is little more than a vexing mixture of visual excitement and intellectual mush. Members of the Academy must have agreed, which is why they gave another of Cameron's ex-wives, Kathryn Bigelow, the directing Oscar for not directing Avatar, and her film the Best Picture Award for not being Avatar.

Looking toward the future, our best hope is that, after a number of successful lawsuits, Cameron will give up plans for a sequel to Avatar, upon realizing that he would have to share the rewards with the innumerable people who can present a convincing case involving stolen ideas in the original film, and instead decide to do something else—perhaps teaming up with a certain ex-governor of California and a certain ex-wife and producer to offer a 3-D sequel to True Lies? Or maybe, for once, actually purchasing the rights to a published science fiction story as the basis for a screen epic? (Perhaps, to compensate Orson Scott Card for dragooning him into writing the novelization of The Abyss, he could tackle Ender's Game, an ideal vehicle for a director with a flair for sound and fury, signifying nothing.) Still, given his recent track record, I must report that he now has something else (other than fabulous, inexplicable success) in common with Spielberg: I watch his films only when somebody pays me to review them. And since I'm not getting paid for writing this entry, and since its topic brings me no joy, forgive me its abrupt conclusion.

~~~

Source: https://youtube.com/watch?v=5PSNL1qE6VY

With Love, to James Cameron and to all of you who had the courage and the patience to read this long post,
chocolate

Now, let us rethink: https://projectavalon.net/forum4/show...l=1#post797495

Attachment 24970
a quote from the beginning of ENDER'S GAME

[chocolate]

Some Truths about the sinking of TITANIC

In the period of 1910-1912, the transatlantic passenger routes were very lucrative. The White Star Line got together with a wealthy American investor and devised a plan to build the three largest, most luxurious ships to try to corner the market: these were to be Olympic, Titanic, and Britanic. Olympic was the first to be built, and made several trips with captain Smith, who was involved in three accidents which critically damaged Olympic, including one case where he ran over a submerged vessel. Temporary repairs were made to Olympic in New York, and it limped back to the shipyard in Ireland to be fixed. The damage to the keel was so bad that the ship had a permanent “list to port”, meaning a leaning to the left.

The damaged propeller was replaced with propeller number 401 which was on the Titanic which was in the process of being built, and placed on Olympic so it could keep functioning. The shipyard told White Star that in order to properly repair Olympic with the severe internal damage and damage to the keel that it would have to be cut in two and the entire stern section would have to be rebuilt which would take lots of time and money. White Star declined, electing to do a “patch-up” job so that Olympic could continue sailing.

Olympic was, in its damaged condition, only insurable for about $7 million, whereas Titanic, when completed, would be insurable for over 10 million. However, Olympic remained a liability.

Olympic and Titanic were virtually identical, other than minor differences. As White Star needed the cash to keep coming in, it needed a big event. However, Titanic was not yet finished.

Thus, a decision was made to switch the two ships: over the course of a weekend, a crew from the shipyard switched the names on the boats, the lifeboats, and the stationery. Everything else (plates, etc.) was “standard “White Star” fare”, not naming the ship. Photos of the “Titanic” leaving Southhampton show the “patch-up” work, and a science teacher who was a passenger on “Titanic” noticed that the ship had a slight list to port. Photos from the sunken “Titanic” show that there was grey undercoating paint under the surface black paint. Titanic did not use grey paint; this was only used on Olympic. Photos of one of the propellers on the sunken ship show one with the number “401” on it.

The names “Olympic” and “Titanic” were engraved on the front of each of the ships when they were being built. Photographs from Robert Ballard’s original expedition when he found the sunken “Titanic” in 1986 show, at the bow (front) of the sunken ship, the letters “T I T I C” which were riveted onto the front of the ship. The missing letters “A N” fell off over the years. The space where these letters fell off show the letters “M P” engraved onto the ship. (O L Y M P I C).

White Star had another passenger ship called the Californian, which left port 4 days before Titanic and came to rest along the line of sight from the exact iceberg which “Titanic” struck. During the night of the sinking, the captain of the Californian telegraphed Captain Smith of “Titanic” (the same Captain Smith who caused had the multiple accidents while the captain of Olympic) 4 times with Californian’s exact location. Californian, a passenger ship, also left port with no passengers. The only cargo was crates of sweaters. The captain of Californian was told by White Star that if he saw red, white, and blue rockets during the night that these would be from “Titanic”. He did not see any such rockets.

“Titanic” was of such state of the art at the time and its officers with such experience that they testified that they could spot an iceberg from at least 6-8 miles from the deck, and farther from the crow’s nest. “Titanic”’s rounding space was only 1,800 feet. As such, “Titanic” would have had more than enough time and room to avoid the iceberg which it struck.

The attempt to turn was not made until the iceberg was only less than 400 yards away, and the engineers, by reversing the engines and turning to port, placed the ship in the position, vis a vis the iceberg, which caused the maximum amount of exposure to the iceberg and damage from it.

Olympic had worn linoleum floors. Days before the “Titanic” took off, the linoleum floors were ordered by White Star to be carpeted. 5 days before it set sail, White Star upped the insurance on “Titanic” to $12 million through Lloyds of London. Lloyd’s paid the $12M within 5 days after the sinking. Lloyds paid the entire claim as the British Board of Inquiry found that neither the Captain, anyone at White Star, or anyone at the shipyard was at fault for the “accident”.

SO, what we have her e is a company which had a liability which it knew would lose money and cost a lot to fix and which, knowing this, disguised it as a “good” product and took out the maximum insurance on it, then collected the insurance within 10 days after it was taken out and just 5 days after the liability had an “accident”. Sound familiar?

The investment banks had millions of bad mortgages which they knew would fail. They disguised these known bad mortgage loans and represented to the insurance companies that the mortgages were “good” and took out the maximum amount of insurance on them. When the mortgages failed (which the investment banks knew would eventually happen), they collected the insurance checks, as the failure was of no fault of theirs; it was those “damned homeowners who didn’t pay their mortgages”.

Oh, by the way, the American investor who owned a controlling interest in the White Star line cancelled his first class passage on the ship less than 2 days before “Titanic” took off, citing “ill health”. He was found in a French resort 2 days after the sinking with his mistress. If White Star had gone into bankruptcy, this investor, who had the controlling interest in White Star, would have been able to seize the boats as assets, but it would have cost him probably millions to get them back to the US, outfit them, market them, and try to make money on them while having to run a passenger ship business instead of just getting checks every month from White Star who did all the work in running the boats, marketing them, selling tickets, etc. and just sending the investor checks every month.

The name of this American investor? J.P. MORGAN.

Source: http://wewhoopposedeception.wordpres...ut-conscience/

And some more here:
http://www.freewebs.com/titanicthetruth/

[spiritguide]

Pliney the Elder a famous general and who resided in the library of Alexandria was known to be the first publisher of an encylcopedia written from the scrolls at the library. He wrote about the Law of One and the brotherhood of the Sons of One. His writings are rare and some can be found that have been leaked. Most knowledge about the Elder has been relayed by Pliney the Younger. Just another avenue of research for those interested. The path researched was through a book called "The curius lore of precious Stones/Gems", which was my entrance into crystal technology in the 70's. IMHO

Peace!

Here is the link to the book....

https://archive.org/details/curiousloreofpre028009mbp

[chocolate]

For my Bulgarian family here --> two articles on the same subject:

http://www.parallelreality-bg.com/an.../451--ii-.html

http://www.parallelreality-bg.com/an...-16-50-57.html

I don't have a lot of time right now to devote to translation, but Google Automatic Translate probably could do a decent job.
I think for everyone interested, the two links provide a bit more information that I haven't covered above.

[Billy]

An interesting article Chocolate. Articles i should say as your research comes from a few different sources. Some of whom may be masons themselves. I have always believed that the Templer/Masonic agenda was at one time for the betterment of humanity but like all movements/societies became infiltrated by those who believe they can control humanity making them slaves for their own selfish agenda.

But whether they are for the betterment or for control of humanity, I would not give the Masons all the credit for some of the major changes that have took place throughout our history. Some of the writers interpretations i do not agree with. There were many throughout the long articles.

The film was released to the public in 1989. This was the same year as the swearing in of President George Bush and fall of the Berlin Wall in Germany. Both events were staged by the Freemasons to prepare the world for the global coming together as one. The name "Abyss" was symbolic of Cameron getting even deeper into information which is privy to the Freemasons.

Just one example, the fall of the Berlin Wall. Whether Masonic, government controlled. dictators. Financial control. The power of the consciousness of the masses can overcome any agenda that works against the will of the people. That is their biggest fear. that the masses will wake up and rise. raising their consciousness levels to such an extent, that change is inevitable. Although not mentioned in the article, the fall of apartheid in South Africa is another example.

The Sons of Belial faction are responsible for events that set back human history and creativity while The Law of One faction has been responsible for advancing the human race toward the it's ultimate goal, to rejoin the community of civilizations in the universe where humanity originally came from.

After breaking from the Sons of Belial faction of Freemasonry, James Cameron was finally approached by members of the Law of One faction to help him create one of the most emotionally moving and popular films of all time. When Cameron casted actors to fill the roles, the Law of One faction helped him find other Law of One members who would make the film a success.

I hope this is a truth. as it makes sense to my theory that there is a faction of Masons who are for the betterment of humanity.

Masons it is time to purify your house. No hiding the dirt under the carpet anymore. Time to clean up the truth and set her free, for all to see.

Remember who you are.

my thoughts.


peace

[chocolate]

I am trying to keep this thread clear from my personal comments, because I do actually have a great respect for James Cameron for everything he is, and because I want to leave spece for anyone to interpret the information unobstructed.
[I am an avid film fan, I also have worked in this industry, and simply cannot be that objective anymore.]

But on the other hand one must be vigilant to watch for all kinds of influences, especially those that could be happening 'out in the open'.

In the Bulgarian articles, done quite well in my opinion, it is mentioned that in the soundtrack of Avatar a specific sound technology has been used with specific frequency (6 Hz) in order to deliver a subliminal message (which is absolutely a crime IMO). The message is allegedly provoking a sense of depression for the lost paradise which Pandora represents. Pandora in AVATAR represents not a gas giant from Alpha Centauri, but the Earth before a giant cosmic catastrophe (if that is something you are comfortable believing to be true).

Regardless whether James Cameron is under the influence of the Masons, or not, it is quite important to also remember the truth - not everyone has your best interest at heart.

I am not sure if that subject has been covered anywhere on the forum, because a search gave me different vague results, but since so it happened Bill's thread appeared, mentioned above in one of the posts, and I also happened to be reading Truman Cash "The Eye of Ra" (I think you may find the book quite important if you haven't read it), I thought it is helpful to bring some information together.

I have known this for some time. But that didn't change my affection for the film, or for James Cameron (who happens to be really not-my-type-of-a-guy).

Cheers! ( I meant peace )

[Snookie]

I have wondered whether James Cameron was related to that Dr. Cameron who worked in the hospital in Montreal. It is interesting they both moved to California. Hummmm....

[chocolate]

Another Avatar Lawsuit Gets Thrown Out Of Court

If you’re dying to bring a lawsuit against someone, it should be pure instinct not to want to sue one of the most imaginative men in Hollywood who holds the top two spots for most successful films of all time. He can probably afford a better legal team than you. Yet people just keep on trying to sue James Cameron over Avatar, with a slew of lawsuits regularly being thrown at the director, claiming he ripped off everything from the storyline to the film’s visuals. Variety reports yet another one of those cases, however, has been shot down, as a California state judge has dismissed a suit filed by former Lightstorm Entertainment employee Eric Ryder. Sorry, Eric. Maybe put on a fake mustache and try again in a few months under a different name.

Back in 2011, Ryder sued Cameron for stealing ideas from his story K.R.Z. 2068, which was supposedly in development at Cameron’s Lightstorm back in 2002. What was that story about? An environmentally-themed 3D epic about a corporation colonizing and wasting a lush distant moon’s natural setting. Back then it was determined that the story was not commercially viable, and it didn’t go any further than the early development stage.

The judge decided that Cameron’s film was created by him independently of Ryder’s creative input. But you can bet it won’t end here. Ryder’s attorney’s stated, “We respectfully disagree with the court’s ruling and we are considering our options for appeal.”

Cameron was as tsk-tsky as ever in his comments to the press. “Sadly, it seems that whenever a successful motion picture is produced, there are people who to ‘get rich quick’ by claiming their ideas were used,” he said in a statement. “Several such claims have been asserted with Avatar. I am grateful that our courts have consistently found these claims to be meritless. As I have previously stated, Avatar was my most personal film, drawing upon themes and concepts that I had been exploring for decades.”

The conspiracy theorist would say, “Yes, someone who stole an idea would say those things.” Luckily, there are no such theorists in high courts. This ruling is similar to the one back in February, when Gerald Morawski claimed he presented the idea to Cameron back in 1991. It’s pretty awesome that in all of these cases, courts are just throwing the cases out, instead of Cameron offering to make a settlement to get it taken out of court quicker. Now we sit back and wait for the litigious cacophony that surrounds Avatar’s multiple sequels.

read more: http://www.cinemablend.com/new/Anoth...urt-39697.html

~~~

Avatar Sequels Will Feature New Worlds, Habitats And Cultures
http://www.cinemablend.com/new/Avata...res-41723.html

[chocolate]

Think of the "Avatar" movies as a science fiction "Godfather", the director explained.
Only with more 3D, obviously.

...obviously ...

James Cameron has opened up about what to expect from the upcoming Avatar sequels, saying that fans of the series will discover "a lot of new imagery and a lot of her environments and creatures across Pandora" in the three upcoming sequels to his 2009 science fiction epic.

"At first I thought I was going to take it onto other worlds as well, in the same solar system, but it turned out not to be necessary," the director told the Associated Press. "I mean, the Pandora that we have imagined will be a fantasyland that is going to occupy people for decades to come, the way I see it."

He continued, "There's a fair bit of underwater stuff. It's been inaccurately said that the second film takes place underwater. That's not true. There are underwater scenes and surface-water scenes having to do with indigenous ocean cultures that are distributed across the three films."
The first Avatar movie, Cameron explained, was "very Jake-centric," referring to the character played by Sam Worthington, but the new series as a whole is "really the story of his family, the family that he creates on Pandora. His extended family. So think of it as a family saga like The Godfather."
Cameron will be directing each of the three sequels to the original film, all of which will be shot in New Zealand. The first of the sequels is expected to be released in 2016.

~~~

James Cameron to adapt ‘Battle Angel’ for the big screen
For at least a decade now, James Cameron has been talking about bringing the manga series ‘Battle Angel Alita’ to the big screen, and he’s finally announced a start date for the project. According to The Hollywood Reporter, Cameron told an audience at Mexico City's TagDF conference that he'll begin to develop his long-awaited ‘Battle Angel’ in 2017, following the completion of production for the next two Avatar movies. ‘Battle Angel’ is based on Yukito Kishiro's nine-volume manga ‘Battle Angel Alita’and focuses on a cyborg discovered in a local dump who subsequently becomes a crime fighter and an extreme sports celebrity. Cameron revealed three years ago that a year of pre-production had happened, and that a full script and test reels had been produced.

Dark Angel, the TV show from 2000-2002 is created by? -- James Cameron
http://www.imdb.com/title/tt0204993/...nm_flmg_act_37

A group of genetically-enhanced children escape from a lab project. Years later we meet Max, one of the escapees who now works for a messenger service in the post-apocalyptic Pacific Northwest.

says imdb. I agree, for I have seen the show.

But the interesting facts around Mr. Cameron don't end here.

[to be cont. ]